How Macedonian is a Macedonian shield?

When talking about Macedonian shields, our thoughts automatically turn to those carrying a 16-rayed star like the one on the lid of King Philip's golden larnax displayed at the Museum of Vergina. 

What should be simple and straightforward, in reality, isn't. 

The first king to use the Macedonian sun emblem may be Archelaus (413-399 BC), i.e., well before Philip II came to power. In Alexander's days, the number of sun rays varied from eight to twelve or sixteen. Alternatively, the center of the shield could be a disc that remained blank or was filled with a Gorgon's head, the face of Heracles, etc. Such a disc was usually surrounded by a varying number of crescents. Other shields may seem unadorned, but it has been documented that many were painted only. That would make sense when looking at the row of armor and shields lining the street in Dion. The monument was commissioned by Alexander after his victory at the Granicus. 

As I have come across many examples of shied decorations, either on paintings, reliefs, coins, or other works of art, it might be interesting to highlight some examples. 

For a start, today's flag of the Republic of Macedonia shows a sun with 16 rays, the so-called "Vergina-Sun." 

A bucranium found in Apollonia Pontica, modern Sozopol, Bulgaria, shows an eight-rayed star, which leads that country to claim that the origin of the "Vergina-Sun" is theirs (see: The Origin of the Macedonian star was Thracian?)

The excavations in Albania have so far yielded several examples of shields they call Illyrian but look very Macedonian at first glance. I was told that the difference with a Macedonian shield was the curving. Whether that is true or not, I don't know (see: Looking for Illyrian remains in Albania).

At the small Museum of Apollonia, Albania, I saw my first Illyrian shield from the 4th century BC that looked very much like the Macedonian one. A series of triple crescents surround the central Medusa head with shiny eyes.

The Skanderberg Museum proudly exhibits an Illyrian shield with similar half-crescents but with a six-rayed star at its center.

Two Illyrian shields are embossed on a leather belt buckle at the Archaeological Museum of Tirana. In this case, we see a central disc surrounded by respectively four and five larger double crescents. 

From the same period, a striking limestone mold for a leather shield cover was found in Egypt. It was made for soldiers of Ptolemy in 330 BC. It has typical Macedonian features with a central Medusa head surrounded by triple concentric circles holding a small eight-rayed Macedonian star (see: Alexander's Legacy. Allard Pierson Museum in Amsterdam). 

The Tomb of Agios Athanasios from the era of Alexander has been attributed to a Macedonian nobleman. Although looted in antiquity, the narrow frieze above the entrance holds precious information about Macedonian daily life and its army in blasting colors. The lively scenes have been photographed in detail and digitally restored for all to examine at the Archaeological Museum of Thessaloniki (see: The Macedonian Tomb of Agios Athanasios in Thessaloniki). Of particular interest are the three shields, two of which show an eight-rayed star surrounded by a broad-colored rim. These shields are painted, as are other examples on the walls of grave monuments. It remains an intriguing question whether shields used in combat were painted as well. Color coding may have contributed to bringing soldiers of the same unit together. Still, I fail to see how Alexander's Macedonians would have carried paint to maintain the distinctive coding during the many skirmishes and battles.

A unique set of shields can be admired inside the Tomb of Lyson and Kallikles in Lefkadia, Greece (see: Alexander's schooling at Mieza). The one painted in the north lunette has a blue eight-rayed star at its center and is edged with a crown of leaves. The shield in the south lunette is defined as the 'familiar Macedonian' shield with an empty disc at its center and surrounded by eight crescents. The tomb is dated to c.250 BC. 

Another specimen is a bronze shield from the collection of the Getty Museum in Malibu, California. It definitely has a Macedonian look because of the central six-rayed star (see: A magnificent Greek shield). The inscription reveals that it was made in Pontus on the Black Sea for King Pharnaces I. Since we do not know when exactly Pharnaces died, we can only assume it was made between 160 and 154 BC, when his brother Mithridates IV succeeded him to the throne. 

From the cities that disappeared under the ashes of Mount Vesuvius after the eruption of 79 AD, I like the fresco from Boscoreale, now at the Archaeological Museum of Naples (see: Fresco of a Macedonian at Boscoreale). The painting, based on a mid-3rd century BC original, was retrieved from the Villa of P. Fannius Synistor and shows a scene in which the principal figure sits next to an eight-rayed Macedonian shield resting at his feet. According to some sources, it would depict Antigonus II Gonatas (the son of Demetrius I of Macedonia) with his mother, Phila, or simply be the personification of Macedonia and Asia/Persia.

Another magnificent fresco is still in situ at the Villa of Poppea, Nero's wife, in nearby Oplontis. A life-size view of the Temple of Apollo with eight-rayed Macedonian shields painted between the columns covers a wall in the large sitting room. Wow! 

Later rulers and countries held Alexander and Macedonia in great esteem, and the Romans' admiration is an obvious example!