Shushtar’s waterworks in Iran

Lately, pictures of the Shushtar waterworks in Central Iran keep circulating, underscoring that they are registered as a UNESCO World Heritage Site. More importantly, they have been dated back to the 5^th century BC and were probably initiated by King Darius the Great. 

[Picture from Wikipedia]

Localizing Shushtar on a map is one thing, but linking it to a known city or river is another matter. Then I read that the water was diverted from the Karun River using manmade canals dug through the natural rock. 

The Karun River rings a bell as I spent a night in the city of Ahwaz, not far from Susa, and could see this river from my hotel room (see: The Zagros Mountains and the Persian Gates in Alexander’s footsteps). The memorable city of Susa (see: Susa with its unique glazed brick walls), where Alexander organized his lavish wedding ceremony in 324 BC, lies no more than three kilometers away from the Karun River (Pasitigris in antiquity), and joins the Tigris River further south. In those days, these waterways were navigable and a priceless connection to the Persian Gulf. 

The above makes me believe that Alexander must have seen this intricate water complex. Thanks to a systems of qanats (see: The qanats, one of the greatest inventions of mankind), the river provided water for domestic use and irrigation of the surrounding agricultural fields. Surprisingly, the main crop was sugar cane. 

Over the centuries, the infrastructure was improved with more canals, tunnels, dams, and watermills. In the early years of the Sassanid Empire, starting in 224 AD, Shushtar occupied an island in the middle of the Karun River and became the summer capital of the kings. The city was reachable from the east, west, and south through entrance gates and bridge crossings. 

Three large dams were built by the Sassanids between 224 and 651 AD. They regulated the river and the manmade channel’s flow to supply water to the city and cultural land around it. 

The largest dam, constructed by Roman soldiers and engineers, was about 500 meters long. It dates from 260 AD, shortly after the glorious victory of King Shapur I over the Roman Emperor Valerian (see: Sassanid reliefs tell a story of their own). The dam was the core structure of the Shushtar Water System. It is said to be the most eastern Roman construction of its kind. The bridge with Roman arches supported the road that led from Pasargadae to Ctesiphon, the capital of the Sassanid Empire (now in Iraq). 

To prevent erosion, the riverbed above the dam was paved with large slabs tied together with iron clamps. 

[Picture from Tehran Times]

The pictures of Shushtar reveal how impressive these waterworks were. Later Arab conquerors defined Shushtar as one of the wonders of the world.

The bronzes from Bubon’s Sebasteion

Illegal digs are inevitable and Turkey with its countless antique sites is no exception. A beautiful bronze head of an unknown young man displayed at the Getty Villa has recently been identified as stolen or illegally excavated, and it is heartwarming to hear that it will be returned to Turkey. 

The Getty Museum in Malibu, California, acquired the head in 1971 and it could be established that it belonged to a now-lost life-size figure. It is marked with the letter alpha (the Greek A) at the bottom of the neck. The inlaid eyes, which always add so much character to a face, are missing. 

Dated to the period between 100 BC and 100 AD, the statue's provenance was not documented, although scholars now link it to the archaeological site of Bubon in ancient Lycia. Since the late 1960s, several bronzes have been smuggled out of Turkey from that area. Most depicted Roman emperors and their families but the head at Getty has yet to be identified. 

In October 2023, the New York Times published an article on these bronzes from illegal digs that have been scattered around the world to various private homes and museums. 

By 1967 the looting became apparent and slowly stopped as the Turkish police found a headless bronze torso hidden in the woods near Bubon. This site turned out to be the main source for this unique collection and authorities are determined to track the looters down. 

Bubon has not been systematically excavated and all that remains are a small theater and stadium, as well as an Acropolis. The main building may have been a shrine or Sebasteion, where several bronze statues stood around a U-shaped courtyard that was probably roofed. The Sebasteion may have been started by Nero and his wife Poppea Sabina. His example was followed by eleven emperors and three empresses, the last being Gallienus, who ruled till 268 AD. In the following decades, Bubon suffered from repeated earthquakes which buried and saved the Sebasteion. 

Scholars and experts aim to restitute the group of statues, which represented an important binding factor between the citizens to the power of faraway Rome. 

In the end, the villagers themselves, now in their 60s and 70s, provided the most precious information. They described the statues and their posture and remembered how they were sold. Their plinths with the names of the emperors in Greek are still in situ. 

Lucius Verus apparently stood next to Marcus Aurelius, his adoptive brother and co-ruler. His headless statue may be at The Cleveland Museum of Art and his Bubon origin is now under investigation. 

Septimius Severus was accompanied by his wife and sons, Caracalla and Geta. His headless statue was on loan at the Metropolitan Museum of Art in New York and has been turned over to the authorities for repatriation. Some experts believe the missing head is kept at the Carlsberg Glyptotek in Copenhagen, Denmark. The head of Caracalla has been seized from the Met and his torso is probably in the hands of a Greek collector. Emperor Valerian stood nearby and his torso is now exhibited at the Museum of Burdur, Turkey. Commodus also had a plinth of his own.

In due time, more emperors will be reconciled with their names on the pedestals and more effigies or body parts will be returned to their rightful spot in Turkey. 

[Top picture from Getty Museum. Lucius Verus is mine taken at the MANN]

The Cube of Zoroaster or the Ka’bah-i Zardusht at Naqsh-i Rustam

The Cube of Zoroaster, or the Ka’bah-i Zardusht or the Jail of Solomon, whatever its name is and whatever its function was, this building remains unique and enigmatic.

The fact is that we are looking at a tower-like construction set in front of the Royal Achaemenid Tombs and the victory reliefs of the Sassanid Kings at Naqsh-i Rustam near Persepolis. So far, it has been determined that it dates from the 5^th century BC (it is generally believed that it was built either under Darius the Great or Artaxerxes II) and is not a Zoroastrian shrine. A similar tower, but in a worse state of conservation, can be found at nearby Pasargadae and is being referred to as the Zendan-i Suleiman, translating to the Jail of Solomon. Not that Solomon ever was here, but the name may arise from a Persian tactic when the Arabs were invading the country in order to protect the Tomb of Cyrus the Great (calling it the tomb of Solomon’s Mother) and the tower (calling it the Jail of Solomon).

The square tower constructed with white limestone blocks is 12.5 meters high, and the sides are 7.25 meters wide, making it look rather sturdy. It stands on a 3-stepped plinth of 1.5 meters. A staircase of 30 steps leads to the stone entrance door, 1.9 meters high. The inside chamber of 3.7x3.7 meters is 5.7 meters high and has no windows, as may appear at first glance on the outside walls; they are in fact blind windows. The roof has disappeared, but it was made of four slabs of stone set as a pyramid on top of the tower.

The tower walls carry inscriptions related to events of the reign of the Sassanid King Shapur I (241-272 AD). It is, as so often, a trilingual inscription in Sassanid and Parthian dialects of central Persia and in ancient Greek, referring to the war with Rome when Shapur I defeated Emperor Valerian in 260 AD. There is also a Sassanid inscription suggesting that the structure was used as a fire altar or housed an eternal flame in memory of the nearby kings, but the lack of cross-ventilation in the tower kills this theory. Another suggestion is that it served as a safe place to keep the royal flags and other memorabilia, but how safe is such a building? Other experts believe that this monument was the place where a complete copy of the Avesta (the sacred texts of the Zoroastrians) was kept, written on 12,000 sheets of parchment. More recently, an Iranian archaeologist has described the monument as a unique calendar and astronomical observatory, but that seems rather far-fetched.

Separately, there is an inscription of 19 lines in Middle Persian believed to be written by the highly influential high-priest Kartir in the third century AD, commenting on the first two texts and describing Shapur I’s victories.

The tower at Naqsh-i Rustam was surrounded by a wall from Sassanid times, and it probably stood in a garden laid out at the foot of the nearby tomb reliefs.

Although both towers originate in Achaemenid times, they have undergone repeated modifications and improvements by the Sassanids. Still, it remains a very enigmatic construction that raises more questions than it provides answers. I also wonder what they must have looked like when Alexander was there; no ancient writer bothers to mention it.

The glorious days of Palmyra

My first view of Palmyra was at nightfall when the entire city was bathed in floodlights. My eyes could not take in this fascinating scenery; it was a mere flash, a snapshot of columns and arches, of waving and fluted lines, of temples and streets whose warm tones strongly contrasted with the black velvet night sky. The mirage disappeared in the blink of an eye, but tomorrow looked most promising!

This city, which the Arabs called Tadmor, is not mentioned in Alexander’s history and was strangely enough ignored by the succeeding Seleucids who ruled over Greater Syria from 305 BC till it was annexed by Rome in 63 BC. Even at that time, it already had a long history going back to the second millennium BC as mentioned in the clay tablets found at Mari as well as in the Bible as part of Solomon’s realm. The oasis of Palmyra was generally an independent city, ideally located at the heart of the Syrian Desert, an important crossroad of several trade routes on the Silk Road. In other words, a strategic place that was most envied by the Roman Emperors.

For the next one hundred years, business boomed thanks to Palmyra’s intensive trading with Persia, India, and China and even with the Parthians who for many years were the enemies of Rome. The well-traveled Emperor Hadrian inevitably visited Palmyra in 129 AD and he was so much taken by this city that he renamed it Palmyra Hadriana and declared it independent. Unfortunately, the good days did not last and in 212 it became a Roman colony. From then onward it played a mere military role and its trading regressed, especially when the Sassanids occupied the lands between Tigris and Euphrates in the third century AD.

However, in 256/257 Palmyra’s King Odenathus (Septimus Edeinat) was held in high esteem by the Roman Emperor Valerian who appointed him Consul and Governor of the province Syria-Phoenicia that belonged to Palmyra since 194 AD. A few years later, Valerian was killed by the Sassanids (see: Sassanid reliefs tell a story of their own in Persia) and apparently, Odenathus felt morally obligated to revenge the emperor’s death. He pursued the Sassanids to their capital Ctesiphon, situated on the Tigris River, on the opposite bank of Seleucia, but failed to take the city.

At this period of time, Palmyra had reached its glory, much to the chagrin of Rome, and Odenathus was murdered under obscure circumstances. His wife, Queen Zenobia took over and ruled in the name of her minor son Vaballath. Zenobia was a tough lady who caused quite a stir in history. Classical as well as Arabic sources describe her as handsome and intelligent, with dark skin, pearly-white teeth, and sharp black eyes. She is said to be more beautiful than Cleopatra, yet very chaste. Zenobia could ride a horse like a man, and on hunting or drinking parties she stood her man. She also was very learned, fluent in Arabic, Greek, Aramean, and Egyptian, and had a good knowledge of Latin. She was a sophisticated hostess and entertained philosophers and poets, among whom the famous Cassius Longinus. This Longinus wrote especially for her one of his masterpieces in which he integrated now lost parts of love poems by Sappho of Lesbos, who composed them in the 6^th century BC.

Zenobia also was very ambitious and extended her territory to the west, occupying Bosra, and in 269-270 she even marched all the way to Egypt; on the way back she took the harbor of Antioch-on-the-Orontes. She even managed to annex a big part of Anatolia including Ancyra (Ankara) in her empire. As can be expected, the Romans were not grateful for her interference and in 272 Emperor Aurelian took Antioch-on-the-Orontes back, followed by Emesa (Homs) and finally also Palmyra. Zenobia tried to escape by fleeing across the Euphrates but she was captured and taken to Rome, together with her son, Vaballath.

Vaballath probably died on the way to Rome. In 274 Zenobia appears in golden chains during Aurelian’s triumphal march through Rome. Out of pity but also taken by her beauty and pride, he granted Zenobia her freedom and installed her in an elegant villa at Tibur (today’s Tivoli, Italy), where she lived under her Roman name of Iulia (or Julia) Aurelia Zenobia. She spent her days in wealth and became a prominent philosopher, hostess, and Roman matron. She married a Roman governor and senator whose name is not known, giving him several daughters who all married into prominent Roman families. Some sources mention that Zenobia committed suicide after Aurelian’s defeat, but that is not very credible. A great number of her descendants have been traced to far into the 4^th and 5^th centuries.

In the meantime, Palmyra had not been entirely forgotten. Emperor Diocletian enlarged the city to install his Roman legions in all comfort and built a city wall to protect them against a possible invasion by the Sassanids from Persia. Later the Byzantines constructed several churches, but after the conquest by the Arabs Palmyra played only a marginal role.

It is still early and bone-chilling when I arrive at the site of Palmyra on this November day in 2009. The blistering wind chases freely through the colonnades and ruins but strangely enough, the surrounding hills remain shrouded in a low foggy veil – an eerie scenery. For a moment I pause to get my bearings and it all seems too much to take in, so many columns, stones, arches, walls, streets, remains, etc. I am totally overwhelmed and have to kick myself to move on.

My visit starts at the eastern city gate, very appropriately called the Monumental Arch, consisting of three Roman arches of which the middle one is the largest and leads immediately to the unpaved main street. We owe this arch to Septimius Severus (193-211 AD) who ingeniously built it with a twist to cover up the 30-degrees-angle between the Decumanus on one side of the arch and the Temple of Nebo on the other side. Nebo or Nabo was the Mesopotamian god of oracles, later assimilated with Apollo – hence the importance of this Temple. The remains are still imposing with its columns along the temenos in reserved Doric style, while the columns of the Temple itself are enhanced with Corinthian capitals.

With wide open eyes, I set foot on the Great Colonnade Street or Decumanus with its wonderful 10-meter-high monolithic columns crowned with Corinthian capitals. Each column has an empty pedestal where rich or prominent gentiles could place their likeness against payment that is. Public Relations even in those days were an important tool!

Then I come across the Baths of Zenobia, a rather large bathing complex where the Frigidarium as well as the Tepidarium, and the Caldarium are clearly recognizable. At the entrance, there are four remarkable pink granite monolithic columns, which with their Corinthian capitals stand in pleasant contrast with the white-pinkish stones used for the construction of the Baths.

On the opposite side of the street, I find the remains of the theater which looks too small for a city like Palmyra. Appearances are deceptive for originally this theater from the 2^nd century AD must have counted at least 30 tiers of seats but only nine have survived. The stage with the entire skena however is still in excellent condition. The theater has obviously been restored to be used for local festivals. The high stone wall around the orchestra indicates that it was also used for wild animal fights, a favorite sport of the Romans.

At an angle lies the Agora, also from the 2^nd century, complete with its annexes. The market area is well preserved as are a number of the surrounding shops and buildings. It is always exciting to discover that besides the original columns, the 2,000 years-old walls of the building have survived, including their windows and doorframes.

Elegant typical Roman arches are still marking the crossroads along this Great Colonnade Street, and that’s how I reach the Tetrapylon, a group of four times four columns. Only one of the sixteen pink granite columns is original, imported all the way from Aswan in Egypt. The other columns are modern copies but clearly illustrate the key position of this Tetrapylon at the bend in the Great Colonnade Street. This 1200-meter-long street or Decumanus although very impressive, is however shorter than the main street at Apamea (see: Apamea, heritage of Alexander), which I found more impressive. It may seem strange that this street was never paved but the reason therefore is that the camels needed a comfortable passage through the city – an animal-friendly consideration! With its porticoes and sidewalks, this Decumanus was exceptionally wide and measured nothing less than 23 meters! This avenue alone would be worth the visit.

On the sidewalk, I discover a long row of connecting pipes belonging to an aqueduct. An awkward place, but not so when you realize that this aqueduct ran on top of the colonnade along the Decumanus. The image brings back memories of the grand aqueduct of Aspendos (see: Aspendos the unfaithful) in Turkey where I saw these elements for the first time.

And that is how I reach the columns carrying the inscriptions of Zenobia, a bilingual text in Greek and Palmyrean. On one of the columns, one can read that it was dedicated by the rulers of Tadmor to their king and master Odenathus. The other column was dedicated to Septimia Bath-Zabbai (in Greek, Zenobia), their religious and saintly queen.

From afar the Citadel with the Arabian fortress probably built in the 13^th century by the Mameluks controls the landscape. However, what we see here dates mainly from the early 17^th century when Emir Fakhr-ud-Ding-ibn-Ma’ani occupied what is now Syria and Lebanon, and constructed several strongholds as a defense against the Ottomans. It is a constant backdrop in between the columns and streets of Palmyra and a photogenic one for that matter.

Walking northwards, I stop at the Temple of Baal-Shamin, the god of rain and fertility. It was built around 150 AD and is very well preserved because the Byzantines converted it into a church. It is a cozy temple that somehow reminds me of the Temple of Nike high on the Acropolis in Athens, except that it has Corinthian columns and a window in the sidewall. The inside is very inviting with the antique naos in the back, now a semi-circular apse with slender columns. It is a lovely spot, in the shade of a young tree that grows within its sheltering walls.

Keeping the best for last is a visit to the magnificent Temple of Bel that I treated in a separate blog (see: The Temple of Bel at Palmyra – In Memoriam).

A visit is not complete without a stop at one of the many tower tombs with their underground Hypogea. I have never seen anything like it, but there always is a first time for everything. After the Valley of the Queens in Egypt, this is the largest and most impressive collection of tombs. Surprisingly the entire landscape between the city walls of Palmyra and the surrounding hills is dotted with square towers or remains thereof, containing burial sites underground as well as above ground. They generally can be dated to between the 9^th century BC and the 2^nd century AD. I am told there are as many as 150 tombs, a significant number. Yet I have no idea what to expect.

The tower tomb of the Elahbel Family from 103 AD seems to be the most popular, and that is no wonder. I step inside a rather large rectangular room, deeper than it is wide and pretty high as well. The ceiling is still intact and is made of colorful starry caissons with at its center four portraits of the founders set against a bright blue background. What a beauty! The long side walls are meant to receive the remains of the dead in one of the four stories high slots. In this way, there was enough space for future generations, at least 300 family members. The vertical pillars separating the rows are fluted and crowned with a Corinthian capital. To the left of the entrance door is a staircase that leads to the upper floor, meaning that access to the superposed niches was easy enough.

Unfortunately, I am running out of time and I have to skip the less impressive remains on the north-western side of Palmyra with the Temple of Allat, the Temple with the Emblems, the Grave Temple, the Camp of Diocletian and especially the Oval Forum – although I was curious whether it was as big as the one at Gerasa (Jerash) in Jordan; probably not since I haven’t seen any pictures so far.

Yes, I am one of the lucky few to have seen this great and glorious city with my own eyes. The famous Temple of Bel (see: The Temple of Bel at Palmyra – In Memoriam) survived wars and conflicts for nearly two thousand years to shine in all its glory. This glory is gone now in 2015 as this great sanctuary and many other precious buildings have been blasted to dust. A part of the world’s history has been annihilated and obliterated. Our ancestors deserved a better fate.

My story and my pictures are a praise to Palmyra’s rich memory and to all those brave forefathers and fellow citizens who have lived there and led the city to its greatness.

[Click here to see all the pictures of Palmyra]
[The picture of Odenathus comes from Wikipedia. The concept of Zenobia from Zenobia, empress of the East]