Alexandria's founded by Alexander

Alexandria's founded by Alexander the Great (by year BC): 334 Alexandria in Troia (Turkey) - 333 Alexandria at Issus/Alexandrette (Iskenderun, Turkey) - 332 Alexandria of Caria/by the Latmos (Alinda, Turkey) - 331 Alexandria Mygdoniae - 331 Alexandria (Egypt) - 330 Alexandria Ariana (Herat, Afghanistan) - 330 Alexandria of the Prophthasia/in Dragiana/Phrada (Farah, Afghanistan) - 330 Alexandria in Arachosia (Kandahar, Afghanistan) - 330 Alexandria in the Caucasus (Begram, Afghanistan) - 329 Alexandria of the Paropanisades (Ghazni, Afghanistan) - 329 Alexandria Eschate or Ultima (Khodjend, Tajikistan) - 329 Alexandria on the Oxus (Termez, Afghanistan) - 328 Alexandria in Margiana (Merv, Turkmenistan) - 326 Alexandria Nicaea (on the Hydaspes, India) - 326 Alexandria Bucephala (on the Hydaspes, India) - 325 Alexandria Sogdia - 325 Alexandria Oreitide - 325 Alexandria in Opiene / Alexandria on the Indus (confluence of Indus & Acesines, India) - 325 Alexandria Rambacia (Bela, Pakistan) - 325 Alexandria Xylinepolis (Patala, India) - 325 Alexandria in Carminia (Gulashkird, Iran) - 324 Alexandria-on-the-Tigris/Antiochia-in-Susiana/Charax (Spasinou Charax on the Tigris, Iraq) - ?Alexandria of Carmahle? (Kahnu)
Showing posts with label Kibyra. Show all posts
Showing posts with label Kibyra. Show all posts

Tuesday, December 24, 2024

The wondrous Nymphaeum of Kibyra

Slowly but surely, Kibyra is rising from its ashes as excavation and reconstruction works steadily expose more of its precious monuments. After the unique Bouleuterion/Odeon with its Medusa mosaic floor, the great Stadium that could seat 10,000 people, and the impressive theater that offers a wide view over the landscape, the round Nymphaeum is another magnificent structure (see: The tempting site of Kibyra). 


The Nymphaeum was built at a time when the city of Kibyra was reconstructed in three distinctive steps following the earthquake of 23 AD. The border of the circular central pool was decorated with reliefs. On its edge rested six columns alternating with sculptures supporting a conical roof that collapsed in the earthquake of 417 AD. In the last quarter of the 2nd century AD, a second surrounding pool was arranged around the existing one. It has been determined that twelve bronze statues were added as testified by the imprints of the feet on the supporting pedestals. 

The Nymphaeum was 7.5 meters high and had a diameter of 15 meters. Notwithstanding repeated modifications and additions, the fountain was used well into the 7th century AD. 


Presently, the Nymphaeum is restored to its former glory and the water supply has returned from the original ancient source. Water flows into the central pool from the stone figures stretched between the columns, two of which have been attributed to Herakles and Dionysus. The originals have been moved to the Museum of Burdur and replaced with limestone copies. 

It must be a sight for sore eyes as the water brings the city back to life, just like in the Antonine Nymphaeum of Sagalassos (see: Sagalassos in Alexander’s campaign).

[Pictures from TRT Haber]

Saturday, February 20, 2021

Oenoanda in the heartland of Lycia

Oenoanda or Oinoanda lies only some 60 kilometers from Fethiye, right next to the modern village of İncealiler. It is one of those untouched sites, clearly off the beaten path of which there are many in Turkey. Such places are always very rewarding to be discovered and to be explored. It is so remote that even a seasoned archaeologist like Cevdet Bayburtluoglu strongly recommends not to venture there by yourself but to take a caretaker or a villager with you to be safe from sheepdogs. These dogs are fiercely defending and protecting the flock of sheep and goats they are supposed to guard and they readily attack any intruder. No kidding!

The climb up from İncealiler to Oenoanda takes about an hour over rough terrain. It seems that, apart from a few days in 1997, the Turkish authorities never allowed the city to be excavated. Yet, that does not make the site less exciting because one can discover it as we walk on.

[Picture: Ansgar BovetCC BY-SA 3.0, via Wikimedia Commons]

The most striking feature in the landscape is, as always, the theater that sits higher up the hill overlooking the valley below and offers a dramatic view of the Taurus Mountains. It has been cut out of the rock and its plan closely resembles that of Myra or Phaselis, for instance.

Inside the city walls, of which many stretches are easily spotted, we find the remains of the ancient city. Unfortunately, these have not been properly documented and only the most striking features catch the eye.

A well-recognizable avenue leads from the theater to the Agora. It has been compared to Harbor Street at Phaselis as it is bordered by two steps on either side. The Agora, which is entirely paved with marble, is another prominent feature. The surrounding buildings have not been identified although we may presume based on the broken columns and stones that there was at least one temple erected alongside as is customary. A series of three distinct arches has been identified as belonging to a Library.

Otherwise, bits of columns, capitals, architraves, cornices, pedestals and stones of all sizes with or without inscriptions are scattered around in great numbers. Another recognizable element in the rubble is the broken pipes and remains of an aqueduct that must have run all the way to the Baths in the northeastern corner of Oenoanda.

The origins of Oenoanda are rather obscure but based on its name which contains the letters “-nd” the foundation could go back as far as the 2nd millennium BC. In any case, it has been documented that Oenoanda was part of a tetrapolis annexed to Lycia. Together with KibyraOenoanda became part of the Lycian League which was formed in the early 2nd century BC and they acquired two votes each. The six main cities: Xanthos, Pinara, Tlos, Patara, Myra, and Olympos were the administrative, judicial, military, financial, and religious centers and each received three votes in the meetings of the League.

Pending serious excavations, no evidence has been found about the pre-Hellenistic Era of Oenoanda.

The city gained importance it seems, after the severe earthquake of 144 AD, when they received 10,000 denarii from Opramoas of Rhodiapolis (see: Opramoas of Rhodiapolis) to construct a Bath. It may sound strange because its own citizen, Licinius Langus of Oenoanda donated 10,000 denarii to Myra in order to rebuild their theater and its portico. He could have invested in the reconstruction of his home tome in the first place, no?

Another famous citizen of Oenoanda was the wealthy philosopher Diogenes, who spent his entire fortune on an Epicurean inscription. He had found peace of mind in the teachings of Epicurus and in order to show the people in Oenoanda the road to happiness, he commissioned an inscription 80 meters long and more than 3 meters high which set out Epicurean doctrines in about 25,000 words.  The huge inscription was placed in the agora and its large inscribed letters were painted - nobody could miss seeing them. At that time, in 120 AD, it would have been the largest ancient inscription ever found. The text included a number of instructions, letters, and epitomes defining the basic principles of Epicuraeism. In other words, a guide to happiness.

Unfortunately, the wall disappeared. It may have been deliberately destroyed or hit by an earthquake, but the scattered blocks were mostly reused as building material elsewhere. The wall with whatever remained of Oenoanda fell into oblivion, probably during the 9th century AD.

During the 19th and 20th centuries, many fragments of this precious inscription were found, analyzed and partially put back together like a giant puzzle. That is a gigantic task that is still ongoing.

Oenoanda is surrounded by necropolises on all sides. Rock graves typically appear on both the east and west sides of the city and from the road between İncealiler and Oenoanda many sarcophagi, mostly of the Lycian type, are easily spotted in the landscape.

Tuesday, February 16, 2021

Revelations from Kibyra in Turkey

It appears that I left my disclosure of Kibyra with the news that the site would open to the public in 2017 (see: The tempting site of Kibyra).

Last year's excavations yielded two important artifacts: an Asclepius statue and a Zeus-Serapis bust.

The 38-centimeter-high statuette of the Greek god of Health, Asclepius, was uncovered inside the so-called Caesarian, the Cult Temple of the Emperor. Kibyra was famous for its knowledge of medicine; thus, this discovery didn't come as a surprise. The figurine has been dated to the 2nd century AD and was found in a layer of soil that showed traces of fire. It was broken into six pieces but could be restored and pieced back together.

The other object unearthed this time in the Roman Baths was the head of a bearded man. To the greatest joy of the archaeologists, the head fitted a bust made of Afyon marble discovered in these baths in 2019. The bust represents Serapis, an Egyptian god who was worshiped in combination with Zeus at the time. Zeus-Serapis was the god of the Underworld and Fertility, the main god of Alexandria.

Both artifacts have been moved to the Archaeological Museum of Burdur, where they will be exhibited very soon. 

Kibyra sat at the crossroads of important trade routes connected to Caria, Phrygia, and Pisidia. It was famous for its metallurgy, and as a result, the city minted its own coins from the mid-first century BC until the middle of the 3rd century AD.

Today's buildings are mainly constructions from Roman times and, more precisely, from after 23 AD, i.e. when the city was destroyed by a major earthquake. It was Emperor Tiberius who financed its reconstruction and renamed it Caesarea Kibyra.

Monday, November 28, 2016

The tempting site of Kibyra

It was only by chance that I noticed the name of Kibyra on a signpost but since I was running out of time I never visited the site, which I deeply regret.


Kibyra seems to be mentioned for the first time in 189 BC, which is during Roman expansion, but it must have been a rather important city since it had two votes in the Lycian League. After the major earthquake of 23 AD, nobody less than Emperor Tiberius financed the city’s reconstruction and renamed it Caesarea Kibyra. It is not surprising that it thrived under Hadrian but suffered about a century later from the invasion of the Goths after which it was largely deserted.

One of the main buildings is, of course, the theater offering a wide view over the surrounding plain and the mountains further south. With a diameter of 81 meters, it is one of the largest theaters in Anatolia. It is rather well preserved with up to fifty tiers of seats where a two-meter-wide diazoma could have led to another ten rows. The total seating capacity of this theater is estimated at 7,400 spectators.


South of the theater, we find the Odeon which has recently revealed a rather unique flooring of eleven meters in diameter, entirely covered with fine mosaics representing Medusa - the sole such example known in the world. This Odeon has been dated to the middle of the third century AD.

Further east of the theater, there are several larger buildings, including the agora and the surrounding Stoas. The streets are paved with limestone slabs covering the antique sewage system and lined with stubs of columns.

The Stadion is another striking element in the landscape. It is about 198 meters long and 7.5 meters wide with 25 tiers of seats that are particularly well-preserved, especially at the upper end.

Today, Kibyra is tentatively put on the list of UNESCO, while excavations have been ongoing since 2006. Recently, close to the agora, a round-shaped Nymphaeum has been exposed. This fountain plays a key role in understanding the city’s water management. With its conical roof, it is one of the most magnificent structures and archaeologists are hopeful to restore this Nymphaeum to make it working again by 2018. 

The site will open to the public at some time in 2017.