Alexandria's founded by Alexander

Alexandria's founded by Alexander the Great (by year BC): 334 Alexandria in Troia (Turkey) - 333 Alexandria at Issus/Alexandrette (Iskenderun, Turkey) - 332 Alexandria of Caria/by the Latmos (Alinda, Turkey) - 331 Alexandria Mygdoniae - 331 Alexandria (Egypt) - 330 Alexandria Ariana (Herat, Afghanistan) - 330 Alexandria of the Prophthasia/in Dragiana/Phrada (Farah, Afghanistan) - 330 Alexandria in Arachosia (Kandahar, Afghanistan) - 330 Alexandria in the Caucasus (Begram, Afghanistan) - 329 Alexandria of the Paropanisades (Ghazni, Afghanistan) - 329 Alexandria Eschate or Ultima (Khodjend, Tajikistan) - 329 Alexandria on the Oxus (Termez, Afghanistan) - 328 Alexandria in Margiana (Merv, Turkmenistan) - 326 Alexandria Nicaea (on the Hydaspes, India) - 326 Alexandria Bucephala (on the Hydaspes, India) - 325 Alexandria Sogdia - 325 Alexandria Oreitide - 325 Alexandria in Opiene / Alexandria on the Indus (confluence of Indus & Acesines, India) - 325 Alexandria Rambacia (Bela, Pakistan) - 325 Alexandria Xylinepolis (Patala, India) - 325 Alexandria in Carminia (Gulashkird, Iran) - 324 Alexandria-on-the-Tigris/Antiochia-in-Susiana/Charax (Spasinou Charax on the Tigris, Iraq) - ?Alexandria of Carmahle? (Kahnu)
Showing posts with label Artemisia. Show all posts
Showing posts with label Artemisia. Show all posts

Sunday, July 14, 2024

Not all Seven Wonders of the World are the same

We like to believe that the list of the Seven Wonders of the World in antiquity was well-established, but that is not entirely correct. 

In the 1st century BC, Diodorus mentions them by name: the Great Pyramid of Giza, the Hanging Gardens of Babylon, the statue of Zeus in Olympia, the Temple of Artemis in Ephesos, the Mausoleum of Halicarnassus, the Colossus of Rhodes, and the Lighthouse of Alexandria. This is the list we follow nowadays, but the importance of each monument has been subject to personal taste and appreciation of its time. 

Well before Diodorus, many writers had their opinions on the matter. The oldest known is, for instance, Herodotus who, in the 5th century BC does not mention the Hanging Gardens of Babylon but provides a very detailed description of the Walls of Babylon built with baked bricks cemented together with bitumen. The ramparts were 72 kilometers long, 10 meters thick, and 22 meters high! A striking feature is that the top of the wall was wide enough for two four-horse chariots to pass each other. The intermittent towers were 27 meters high. 

Callimachus of Cyrene, who lived in the 3rd century BC, chose to include the Ishtar Gate of Babylon – a marvel that has been reconstructed inside the Pergamon Museum in Berlin (see: A mental reconstruction of Alexander’s triumphal march into Babylon). 

Philo of Byzantium in 225 BC lists the Walls of Babylon, but not the Lighthouse of Alexandria, which had not been built yet. He said he had actually seen the Hanging Gardens but omitted to situate them in Babylon. Their existence remains questionable, and there still is an unconfirmed theory that these gardens were in NinevehThey were described as vaulted terraces, raised one above another, and resting upon cube-shaped pillars. These were hollow and filled with earth to allow trees of the largest size to be planted. The pillars, the vaults, and the terraces were constructed of baked brick and bitumen. The Gardens were initiated by King Nebuchadnezzar II around 575 BC. Philo tells of the Statue of Zeus by Phidias in Olympia, the bronze Colossus of Rhodes featuring Helios (the Sun), and the Temple of Artemis in Ephesos. He further includes the Tomb of King Mausolos in Halicarnassus, and the Pyramids of the Giza plateau, not singling out the Great Pyramid. 

Antipater of Sidon, who lived in the 2nd/1st century BC writes that he laid eyes on the ‘walls of lofty Babylon on which is a road for chariots’, and the Hanging Gardens; the statue of Zeus in Olympia, the Colossus of the Sun in Rhodes, the huge achievement of the high pyramids in Giza, the vast tomb of Mausolos at Halicarnassus; and the Temple of Artemis in Ephesos saying ‘that [as] it mounted to the clouds those other marvels lost their brilliancy’. 

Strabo, in the 1st century BC, gives by far the most detailed description of the Seven Wonders. 

The Great Pyramid of Giza in Egypt, the oldest and only wonder that still exists, was erected around 2560 BC. It is the largest of the three Pyramids at Giza, which are all equally important, as stated by Philo of Byzantium. The proportions of the Great Pyramid are colossal. The original height from the base to the peak was about 147 meters. The length of each side at the base averaged around 230 meters. The theories about its construction and function are widespread and are by no means conclusive. 

The statue of Zeus in Olympia stood inside the Temple of Zeus. The large sitting Zeus was made of ivory and gold by Phidias in 436 BC. Although he was seated, Zeus stood 12.4 meters high, meaning that his head nearly touched the ceiling. Nothing much of the temple remains, but its impressive East and West pediments are exhibited in full glory at the local museum (see: Olympia, in the footsteps of Pausanias). 

The first Temple of Artemis in Ephesus goes back to the 7th century BC. After its destruction, it was completely rebuilt to an unheard scale of 115 x 55 meters, i.e., larger than the Parthenon in Athens. The Artemis venerated in this temple is represented with many breasts, and is clearly not of Greek origin but imported from the East (see: Alexander’s presence in Ephesus). Nothing remains today to prove its grandeur and glory.

The Mausoleum of Halicarnassus (see: Halicarnassus, capital of Caria) from about 350 BC was a rectangular monument measuring 40 x 30 meters, and about 45 meters high. It was decorated with scenes from Greek mythology, such as the battle of the Centaurs with the Lapiths and fighting Amazons, although scholars disagree on their precise position. It is certain, however, that the statues of King Mausolos and his wife/sister Artemesia riding in a four-horse chariot, now at the British Museum, stood at the very top of the Mausoleum. The tomb survived in pretty good condition for many years despite recurrent earthquakes, but the final blow happened in 1494 when the Knights of St John of Rhodes invaded the area and reused the stones of the Mausoleum to build their castle. Remnants are still visible to modern visitors on the walls of Bodrum Castle. 

The Colossus of Helios in Rhodes, the work of Chares of Lindos, was completed in 282 BC. It stood near the entrance of the harbor, although the exact location is unknown. The Colossus wore a crown of sun rays – hence its name, Colossus of Helios - and held up a torch. It was made of bronze and rested on a marble pedestal. With a height of 33 meters, it is considered the tallest bronze from antiquity. It was the shortest-lived ancient wonder that disappeared 60 years after its construction due to a severe earthquake. Its legend lives on, though. 

The Lighthouse or Pharos of Alexandria was the last wonder added to the list of seven, replacing the Walls of BabylonIt was conceived in three stages: a square stone base, an octagonal middle section, and a cylindrical shape at the top. Inside, a fire would guide the seafarers into the harbor of Alexandria. By day, they were led by the smoke, and at night by its bright light (see: Alexandria’s past futures). The Lighthouse stood over 100 meters tall, and its light could be seen 50-60 kilometers out at sea. Its construction was completed between 300 and 280 BC during the reigns of Ptolemy I Soter and his son, Ptolemy II Philadelphus 

The ancient historians of Alexander the Great have spent very little ink on these Seven Wonders – or the texts simply have not reached us. The Temple of Ephesos, which was burnt down the night Alexander was born, was still under construction at the time of his visit. But the king must have witnessed the grand Mausoleum of Halicarnassus and the main features of Babylon, such as its Walls, the Ishtar Gate (which he used to enter the city), and the Gardens if they were indeed part of the Royal Palace. Strangely enough, Giza and its Pyramids are absent from all documents, as if they never existed!

Monday, August 31, 2020

Renewed display of the Carian Princess’ tomb in Halicarnassus

Bodrum Castle is the Underwater Archaeology Museum that holds the precious collection of the 3,500-years-old Uluburun shipwreck. Much less known are the separate buildings where the numismatic collection and the glasswork are exhibited. The eye-catcher, however, is the hall reserved for the Carian Princess.

Her tomb was found in 1989 with the skeleton still intact. She was lying with her arms crossed, surrounded by her grave goods that included a golden crown. Closer anthropological analysis revealed that she died when she was in her 40s and had at least one child. Based on the excellent condition of her teeth, it could be established that she enjoyed a good quality of life. The remains clearly belonged to a woman of high rank.

It was very tempting to attribute this tomb to Queen Ada, the youngest sister of King Mausolos. We will remember that after he died in 353 BC, it was his wife/sister Artemisia, who took over the rule of Caria. When she too died, the throne went to her younger brother, Idreus who had married his sister Ada. Idreus also died, and it was Ada’s turn to become Queen of Caria. But there was still another younger brother Pixodarus who hungered for power. He expelled the widowed Ada from Halicarnassus and she sought and found refuge in her stronghold of Alinda, further inland. Pixodarus aimed to befriend the Persians and ruled unofficially for a short while next to the Persian satrap Orontobates, who took over after Pixodarus’ death. This was the situation in Caria when Alexander the Great arrived at Halicarnassus in 334 BC.

Alexander besieged and eventually conquered Halicarnassus, and he generously handed Caria over to Queen Ada again. She ruled over her country till her death in 323 BC as she died in the same year as Alexander.

Further research about the lady in the sarcophagus has not been conclusive. It has been impossible to attribute the tomb to Queen Ada. That is the reason why it is safely called the Tomb of the Carian Princess.

The hall where these impressive remains are kept has now been refreshed and renewed according to the news published in the Hurriyet Daily News. What exactly has been changed in the setting or the presentation is unclear.

Thanks to facial reconstruction, this princess has been pieced together and until now she was meeting the visitor from the far end of the room. It was a very poignant encounter and I hope that she still gives that impression in the new setting. Said newspaper article does not include a picture of the renovated room but only states that with modern technology, visitors can download the photograph of the golden necklace and crown projected on the interactive screen via the QR Code.

Why can’t they share this picture on line, I wonder?

Monday, October 16, 2017

Alinda, the refuge fortress of Queen Ada of Caria

From 545 BC onwards, Caria was part of the Persian Achaemenid Empire and as such was ruled by a satrap (governor). The most famous of them was Mausolus, who proclaimed Halicarnassus as his new capital – clearly a man with ambition and great visions. Mausolos married his sister Artemisia as was customary, and when he died childless in 353 BC, she continued ruling until her death. The power went to Artemisia’s younger brother, Idreus who had married his younger sister Ada. She ruled after her brother/husband died also. But there was still another younger brother, Pixodarus who hungered for the title of satrap and befriended the Persians. He expelled the widowed Ada from Halicarnassus and she sought and found refuge in her stronghold of Alinda, further inland.

Queen Ada managed to keep her independence in her fortress of Alinda but on Alexander’s approach in 334 BC, she decided to offer her surrender to the new conqueror and to adopt him as her own son – much to Alexander’s delight, no doubt. Alexander generously trusted Caria to Queen Ada who ruled over her country once again, except for the military affairs that were in the hands of a Macedonian garrison. She probably died in 323 BC, the same year as Alexander the Great.

Driving up to Alinda, it is quite clear that this is a very strategic location and the city’s defence walls running down into the fertile valley are there to prove it. The first constructions that welcome today’s visitor as he drives up from Karpuzulu are the remains of a Roman aqueduct with four arches still intact and a handful of scattered Carian sarcophagi. The heavily shattered and overgrown Roman theatre from the 2nd century BC lies on the other side of the hill, just above the impressive market building. This is probably the best testimony of Alinda’s importance and was three storeys high. The highest level touches the agora measuring 30x30 meters.

It seems Alinda, as capital of Caria died together with Queen Ada as it was the last stronghold of the Carians. However, the city did not lose its importance entirely for Antiochus III established a garrison there in the mid-3rd century BC but lost it to the Romans in the early 2nd century BC.

Monday, August 20, 2012

An introduction to Caria, Turkey

It is quite amazing to realize how little we know about the ancient regions of Turkey. In Greece, we are quite familiar with Attica and Macedonia, for instance, but in Turkey, that knowledge is still very remote. Ask any of the millions of tourists who flock to Antalya each year and close to none will be able to tell you that they actually are in ancient Pamphylia.

Well, I have been among those ignorant travelers for years, I must admit, as it is only since I intensively followed the trail of Alexander the Great after crossing the Hellespont (modern Dardanelles) that I became aware of the distinctive areas. They slowly fell into place: the Phrygians with their typical hats, the Lydians with King Croesus, and mostly Ionia with cities like Ephesus, Priene, and Miletus. So my puddle of awareness slowly grew as I marched alongside Alexander the Great to the East.

This time, I find myself in ancient Caria, where Halicarnassus (modern Bodrum) once shone with its famous Mausoleum, one of the Seven Wonders of the Ancient World. However, unlike the situation in our modern times, clear borderlines generally did not exist, and the limits of these more or less independent regions were rather vague. At times, a river or a mountain range may have defined the limit, but otherwise, many border towns were often alternatively ruled by the strongest ruler on either side.

In any case, although I had visited several inland cities in southwestern Turkey that belonged to Caria, I still had no clear image. Caria remained an abstract region. Strange, to say the least.

It is generally accepted that Caria covered the area from the Meander River in the North to today’s Lake Köyceğiz above Caunos in the South. The Carians, curiously enough, do not fit in with their neighbors in any way, neither culturally nor linguistically. There are many theories about their origin, but as they say themselves, they have always lived on the mainland and have always been called Carians. Homer in his Iliad mentions that they were “barbarous of speech” and it seems that even today’s Turkish in that region is labeled as being “harsh”. They were excellent seafarers, though serving in many foreign armies, and were, for instance, highly prized (and probably well paid) by the Egyptians. It is said that it was the Carians who taught the Greeks to put crests on their helmets and showed them how to affix handles on their shields, which, till then, were simply slung over the soldier’s shoulder.

Caria’s greatest ruler certainly was Mausolus, who lent his name to the word “mausoleum” after the tomb he built for himself. This is definitely a “must-see” for every visitor, yet what is left is a very disappointing sight, I would say. The ancient Mausoleum stood in the very heart of the city, but today’s site looks more like a bomb crater amidst the low houses. I thoroughly admire the efforts of historians and archaeologists to bring these unique remains back to life, but it is asking a great deal of our imagination to picture this once so grandiose building on this spot. What is left here are only crumbs. For twenty centuries, the Mausoleum withstood many wars and natural disasters, but the repeated earthquakes turned out to be fatal, and when the Knights of Rhodes arrived here in 1402, they found ready building material for the construction of their fortified castle, the very one that we call St John’s Fort in the middle of the harbor. The story goes that the Knights still found an untouched coffin in the base of the Mausoleum, but postponed opening it till the next day. Yet the next day, the tomb had been plundered. It is said that both Mausolus and his wife Artemisia were cremated, meaning that there could only have been an urn with their cremated remains, but that is something we will never know for sure. The Knights were kind enough to save some of the friezes that were lying around and used them to decorate the walls of said castle. This is where the British archaeologist, Charles Newton, found them in the mid-19th century to recover them and ship them to the British Museum, together with part of a wheel (two meters in diameter) from the quadriga on top of the Mausoleum and the statues of King Mausolus and Queen Artemisia. In a later shipment, he loaded the blocks of marble and green stones that were to be transhipped in Malta. This load, however, never left the Maltese docks because the stones were considered of less importance and amazingly enough, they were used in the construction of the city’s new docks in the 19th century (see Remains of the Mausoleum of Halicarnassus in Malta?).

Despite all the efforts made in recent decades, we are still not entirely sure what the Mausoleum really looked like. Although we have detailed descriptions from witnesses like Pliny and Vitruvius, they don’t give a good overall view, yet plenty of facts and figures to go by. The fact is that the most talented artists of that time were called upon. Skopas, Leochares (the same architect who built the famous Philippeon in Olympia for Alexander’s father!), Bryaxis, and Timotheus were appointed to decorate one side of the Mausoleum each, assisted of course by hundreds of craftsmen of all kinds. The Mausoleum is said to have been 148 feet high, resting on a square base with a stairway leading to the first platform. The outer wall of that platform was decorated with statues of gods and goddesses, while on each corner, a warrior on horseback was guarding the tomb. On top of this platform stood an imposing square mass which was girded with a band of reliefs representing the battle of centaurs and Amazons with Greek soldiers. This section was then crowned by 36 columns, alternated with more statues, behind which a massive block supported the pyramidal roof, where the quadriga with Mausolus and Artemisia was placed. During my last visit, it suddenly dawned on me that this Mausoleum has, in fact, close ties with the Pyramids in Egypt, as in both cases the actual tomb is hidden deep inside a massive stone construction.

Except for a few dozen lost blocks and column drums, nothing significant is left on the spot to see, with one single frieze that found shelter in the small museum next to the very ruins. For those who are really interested, it is worthwhile to take a closer look at St John’s Castle itself to locate the recuperated stones and column drums from the ancient Mausoleum in its walls. Finally, I would highly recommend a visit to the British Museum in London, to admire the magnificent statues of Mausolus and Artemisia, the horse head with its iron bit still in place, the lions that once watched over the lower staircase, and, of course, the many friezes created by the four great artists, were it only to make the (mental) picture complete.

Click on the Label Caria 2012 to read the full story

Thursday, June 28, 2012

Latest Books and eBooks News - Updated June 2012

Modern technology is slowly but surely catching up with our printed books. We certainly made a great step forward with many ebooks being available, but to my chagrin, the specific books that I want to read generally are not – or not yet. Luckily we are in for a change in this field also, and I want to share with you some of my favorite authors who are making progress in that direction.

I just was made aware of Andrew Chugg’s updates and ebook versions of two of my favorite books:

Alexander’s Lovers” (see my comments on Megas Alexandros) with extra information about Alexander’s deification and Hephaistion’s funeral pyre. This edition is now available on Amazon’s Kindle (ASIN: B007OXZU60), but for those who still like to hold on to a printed copy, a second printed edition can also be obtained also (ISBN: 978-0-9556790-4-9).

“The Quest for the Tomb of Alexander the Great” (see my comments on Megas Alexandros) has also been edited with the latest information about Alexandria and his search for Alexander’s tomb at the San Marco in Venice. The Kindle format is available under the ref ASIN: B0085NSY2A, and a second printed edition (ISBN 978-0-9556790-6-3) will follow this August 2012.

Then there is Robbert Bosschart’s Spanish version, “Todas las Mujeres de Alejandro Magno” which is entirely up-to-date and contains lots of new elements and complementary information, like Alexander’s meeting with the Pythia in Delphi or details about the relation of Artemisia I of Caria with King Xerxes. His printed revised edition (ISBN 9788415160687) is available from Eride, while the second edition of his ebook (ISBN 788415425687) with otherwise unpublished illustrations can be found through Casa del Libro. 

Meanwhile, I’m happy to see that many more titles have become available digitally. I hereby give a list of those books listed so far under the Category “From my Bookshelves” on the present site of Megas Alexandros.
For my earlier comments, please click on this link

Historical Sources in Translation, Alexander the Great” by W. Heckel and J.C. Yardley
For my earlier comments, please click on this link.

Alexander the Great and His Empire” by Pierre Briant
For my earlier comments, please click on this link.

For my earlier comments, please click on this link.

History of Alexander the Great” by Curtius Rufus
For my earlier comments, please click on this link.

The Afghan Campaign” by Steven Pressfield
For my earlier comments, please click on this link.
For my earlier comments, please click on this link.
 
This list is, of course, not exhaustive and definitely will be updated at some time in the future. Till then, I wish you all happy reading!