Massive plundering of art in the early years of the Roman Empire

The plundering and looting of artwork have been ongoing for centuries, and it was not Emperor Augustus’ scoop. In a previous blog, Wartime Looting in antiquity, I covered many ancient artifacts that changed owners over the centuries. This time, I want to focus on Augustus’ contribution, among which are some treasures related to Alexander the Great.

Octavian's conquest of Egypt and the Eastern Mediterranean clearly went to his head. He was now the most powerful man on earth for all to see and respect. To underscore his role, he proclaimed himself emperor, taking the name of Augustus, which means majestic and venerable. Modesty was not his virtue.

The greatest treasures that fell into Octavian's hands came from Alexandria, where the Ptolemies had amassed many artworks from the most famous Greek artists like Apelles, Alexander’s privileged painter, and Antiphilus, a contemporary of Apelles and maybe a rival. However, he worked mainly for Philip II and for Ptolemy I. Egypt was an untouched trophy, and besides their Greek heritage, they had gathered spoils from Africa and collected other precious Orientalist Greek-Egyptian works of art, all to be added to their own centuries-old cultural heritage. Obviously, Octavian’s army helped itself during what must have been quite a rampage after the downfall of Cleopatra VII in 30 BC. Upon their return to Rome, blinded by the wealth that poured into the city, everybody of name and fame wanted a piece of the pie and acquired what they could by all possible means: from honest purchases and authentic gifts to robbery, haggling, blackmail, or bribery.

Egypt was not the first victim, and we will remember that only a good one hundred years before, the Romans had helped themselves to the treasures of Macedonia in 168 BC when they won the decisive Battle of Pydna. Aemilius Paulus took the royal library of Macedonia with him, and Sulla followed suit in 86 BC, helping himself to Aristotle’s personal library in Athens. Marc Antony simply dispatched the 200,000 parchment rolls from the Library of Pergamon to Cleopatra in 43 BC as a wedding gift. Papyri and parchment rolls were no booty to show off with, but paintings, statues, and jewelry enabled you to brag. As kingdoms like Macedonia and Pergamon were subdued by Rome, they became treasure troves for art lovers and the nouveau riche.

Julius Caesar was already a great “collector,” and Octavian, as the new Emperor Augustus, would not stay behind. With the increase of its wealth, Rome developed further refinement. Several private connoisseurs are known by name, like L. Lucinius Luculius and Novius Vindex, who highly appreciated Greek bronze and marble statues made by Lysippos (he acquired a statuette of Heracles, which was previously owned by Alexander, Hannibal, and Sulla), Praxiteles, Phidias, Skopas, and Polycleitus, and the paintings by Apelles were among their prized objects.

Augustus “bought” a famous painting of Aphrodite by Apelles, a controversial transaction that officially enabled the citizens of Cos to pay their outstanding taxes, but some obscure blackmail is more likely. The painting was exhibited for the opening of the Temple of the deified Julius Caesar in the Forum Romanum in 29 BC. Despite the eulogy written by several Latin poets, it remains unclear whether this Aphrodite was painted in the nude, rising from the sea and wringing her hair, or if only her upper body was showing. Two more paintings by Apelles were put on public display on the Forum, probably because they featured Alexander the Great. They were “Castor and Pollux with Victory and Alexander the Great” and “The Figure of War with his Hands tied behind him following the Triumphal Chariot of Alexander.”

Everything tied to Alexander was a prime possession as Augustus was a great admirer of the world conqueror and visited his tomb while he was in Alexandria. So it seems that the bronze Nike statues that supported each corner of the canopy over Alexander’s funeral chariot, as described by Diodorus, found their way to Rome as two of them were placed in front of the Temple of Mars Ultor and the two others stood in front of the Regia. These Nikes originally were covered with gold foil or gilt and not made of massive gold, as often assumed, for that would have made the statues too heavy for the funeral chariot.

Another close relation to Alexander was found in the Temple of Apollo Palatinus. According to Pliny the Elder, inside this temple stood a magnificent bronze chandelier “with the lights fixed like apples on a tree,” which had been taken by Alexander from Thebes in 335 BC (another earlier spoil of war!). Alexander had dedicated it as his votive offering after victory at the Battle of the Granicus.

The Alexandrian painter Antiphilus was another favorite artist of the Roman emperor. A group representing “Alexander with Philip and Athena” was placed in Rome’s Portico of Octavia with ”Noble Hesione.” In the nearby Portico of Philippi, three more works found a place: “Alexander portrayed in his early teens,” “Dionysus,” and the “Death of Hippolytos.”

Augustus’ greed was boundless, and he did not hesitate to confiscate the chryselephantine statue of Athena from Tegea, made by a certain Endoios, to place it on the Forum Augusti. At the time of his conquest of Egypt, he also seized the statue of Zeus made by Myron from Samos and moved it to the Capitol Hill in Rome.

These are, of course, only a few examples, for it is impossible to know how many works of art Augustus brought to Rome and how many pieces from previous acquisitions changed hands in those days. Yet the quantities and mainly their quality were unheard of, and we must thank Pliny the Elder for documenting the works displayed in Rome’s many public buildings and porticoes. Pausanias, also, during his extensive travels, highlighted the prized collection. Plutarch, in turn, had an eye for Cleopatra’s treasures, including precious metals, jewels, pearls, and ivory.

It is hard to imagine the wealth and luxury displayed in the heyday of Rome, for this is far beyond anything we can imagine. Opulence was the common good; the Romans ruled the world, and they showed it.

[The above is based on an article published by Academia.edu: Plundered art in the galleries of Augustan Rome, uploaded by Tomasz Polański. The pictures are mine.]

Pamphylia, generally the area around Antalya

Even in antiquity, the borders of Pamphylia were difficult to establish accurately. It roughly starts in the west, where Lycia stops and covers the plains north and east of Antalya up to the foothills of the Taurus Mountains. The cities in my field of interest generally lie within its borders: Antalya, Perge, Sillyum, Aspendos, and Side, while Termessos and Selge belong to Pisidia, situated to the north, together with Sagalassos.

In as much as it was traceable, the Pamphylian language is a Greek dialect spoken in southern Greece, moving to Asia Minor with its emigrants who arrived here before 1100 BC. Proof of this dialect can be found in an inscription from Sillyum. On the other hand, strangely enough, the people of Side spoke a dialect of their own that had yet to be deciphered.

The history of Pamphylia is somewhat confusing. We have to wait till the 6th century BC when King Croesus of Lydia annexed this territory. However, his rule was short-lived because, in 546 BC, he was already defeated by the Persian King Cyrus. During the following centuries, Pamphylia was occupied in turns by the Athenians and the Persians until, in 386 BC, a treaty of peace was finally signed by both powers, giving the cities of Asia Minor to the Great Persian King. The yoke of Persian rule was not heavy, and Pamphylia settled quickly.

The situation changed in 333 BC when Alexander entered Pamphylia from Phaselis in Lycia after his march along the coast. His first stop was Perge (Antalya did not exist yet), where he received a delegation from Aspendos, who surrendered their city, provided Alexander did not leave a garrison behind. Alexander generously agrees, but in exchange, he demands fifty talents to pay his army and deliver as many horses as they usually give to the Persian King.

Aspendos accepts, and Alexander moves on to Side, where he meets no resistance. He leaves a garrison behind and returns westwards to Sillyum, which turns out to be the first Pamphylian city to resist. Whoever has ever seen Sillyum (modern Sillyon) will quickly realize that the town is a practically impregnable fortress high on a trapezoidal hilltop in the middle of the plain. As can be expected, Alexander attacks, without success, though. Before he can conceive a second plan, the news reaches him that the people of Aspendos have changed their minds and have decided not to respect the freshly signed treaty. Catapults are dismantled, and Alexander wasted no time marching his army immediately back to Aspendos. This fast reaction was not what Aspendos anticipated, and their previous promises were hastily reconfirmed. Alexander was not keen to start a siege of the strongly defended city. So he agreed, claiming, however, an extra fifty talents, several hostages, and a yearly contribution to be paid to Macedonia. No joking!

Alexander then returned to Perge and conceived plans to push northwards to meet up with his general Parmenion and the rest of his army, which had spent the winter in Gordion. For unclear reasons, Alexander is made to believe that the only road to Gordion passes through the strategic city of Termessos, which commanded a very narrow mountain pass, a sort of Thermopylae. While Alexander was preparing for the attack, a peace delegation from Selge reached him. What exactly has been said remains a mystery. Still, they pointed out that there was indeed a much easier road north, the one that corresponds to the modern main road from Antalya to Sagalassos. The entire attack of Termessos was called off, of course, and Alexander led his army to Sagalassos.

 

After Alexander died in 323 BC, his generals fought and bickered over the territory of Pamphylia, which fell successively under the rule of Greece and Macedonia, then of Egypt under the Ptolemys, and finally under the Seleucids of Syria. By 280 BC, the Seleucid branch of Pergamon was taking over with kings who all went by the name of Attalus or Eumenes. The Romans appear but are in no mood to worry about this part of the world and leave things in the hands of Pergamon. This dynasty ended in 133 BC when Attalus III, the last king of Pergamon, simply donated his kingdom to Rome. But Rome showed little or no interest until they were forced to interfere because of the heavy piracy along the coast of Asia Minor. Solving this problem was not easy. The first success was booked by Servilius Vatia in 78 BC, but Emperor Pompey finalized the job in 67 BC. 

During the days of the Roman Empire, Pamphylian cities received more freedom, especially Aspendos, Perge, Sillyum, and Side. In the year 43 AD, the region was once more joined to Lycia and remained so until the fourth century. The Byzantine Emperors organized and reorganized Asia Minor over and over until Lycia and Pamphylia became once again independent provinces. Later on, it was the turn of the Arabs to take possession of Pamphylia, followed by the Crusaders, until finally, it was absorbed by the Ottoman Empire.  

This is a corner of Turkey I want to investigate further since it plays a significant part in Alexander's conquests eastwards. Walking in the great man's footsteps always is an honor and a privilege, and I'm very excited to see all these fascinating places with my own eyes. Besides the usual Alexander historians, I am relying on the precision work of George Bean with his Turkey's Southern Coast and on the handy maps and itineraries from the Sunflower Guide, From Antalya to Demre.   Alexander, here I come!

[Click here to see all the pictures of Pamphylia]