Plato, more than a philosopher

Plato is a highly fascinating figure. Not only was he a student of Socrates, but he also taught Aristotle, who, in turn, passed his knowledge on to young Alexander. 

Plato, born in 427 BC, received the best education of his time. Although we know him mainly as a philosopher, he was educated in martial arts and horse riding, besides mathematics and music, painting, and drawing. 

When about the age of twenty, he encountered Socrates teaching on the Agora of Athens, and he realized that philosophy was a more worthy goal to pursue. 

Socrates hardly wrote anything down. We know him from Plato and Xenophon, who are not always in agreement. Socrates preferred talking, or rather asking questions, to the point of embarrassing and irritating his audience. 

Plato followed his master until the Athenians executed him on the charge of impiety in 399 BC. He then left Athens and traveled to other philosophical centers, such as Megara and Syracuse in Sicily, and later to Egypt and Cyrene. He became a student of Pythagoras, Euclid, and Heraclitus, and concentrated on the religion and metaphysics of Egypt. 

Before the Museum of Alexandria was founded, the center of knowledge was in Heliopolis, where priests studied philosophy, astronomy, and theology. Many Greeks, like Homer, Pythagoras, Plato, and Solon, consulted the Library that contained the history of Egypt going back thousands of years. For us, Egypt's ancient history is lost in the mists of time… How much was (still) available in Plato’s days? Probably far more than we can imagine. 

In the 380s BC, Plato returned to Athens, where he started the Academy. The philosopher educated his followers in a shrine of olive groves, sacred to the Greek hero Academos, and called it, therefore, Academia. Plato’s school would continue to thrive till the early 6^th century AD when it was shut down by Emperor Justinian. This Byzantine emperor was determined to erase paganism for good and impose Christianity instead to regain control over the Western Roman Empire. 

Plato is best known for his Dialogues and his Letters. He contributed hugely to our Western culture and religion, although few people realize his impact on monotheistic religions like Christianity, Judaism, and Islam. He was the first philosopher to mention and underscore the soul's immortality. For that reason, his work was not destroyed but accepted by the Christian religious leaders. Plato also stressed the importance of ‘objective truth’ in order to live well. 

As a result of the recent advanced imaging diagnostic techniques to read the carbonized papyri from Herculaneum (see: Reading the papyrus scrolls from Herculaneum), scholars have discovered more details about Plato’s life, of which very little is otherwise known. By virtually realigning the bits of burnt papyrus, they were able to restore the continuity of the text and obtain more information. 

The scroll revealed that Plato was sold into slavery on the island of Aegina, south of Athens, either in 404 BC when Sparta conquered the island, or in 399 BC upon the death of Socrates. It was previously and erroneously accepted that this event took place while he resided at the court of Dionysios of Syracuse in 387 BC. 

We also learned more about the final hours of Plato. While battling a fever, he listened to flute music played by a Thracian slave girl. He was still very lucid as he had the strength to criticize the girl’s lack of rhythm. A perfectionist to the end? 

Plato died in 348/347 BC, and it is now understood that he was buried in the garden of his Academia of Athens. This is very telling since the Academy is considered the world’s first university, which he founded next to the Mouseion. 

Deciphering the papyrus scrolls is a lengthy process that may well require many more years. Who knows what more we will learn?

Food for thoughts

Strolling through the Graeco-Roman section of a museum, I often come face to face with a statue or a head of Antinoüs, the lover of Emperor Hadrian. His outstanding beauty and the perfect traits of his being are true eye-catchers.

Hadrian, who lived 76-138 AD, was a world traveler in our modern concept. He regularly visited many cities of the prosperous Roman Empire, and the occasion was often thankfully remembered by the citizens who built a triumphal arch. Many such monuments are still visible today. They have become so familiar that I genuinely miss them when they are absent. This was the case, for instance, in Albania. In the historical context, that is not surprising, but as it turned out, I got used to the comforting idea of having Hadrian around.

As the arches remained in place, the statues of the emperor were generally safely removed to a museum. It is there that Antinoüs pops up next to him. In the back of my mind, I am confident that when you see one, you are almost certain to find the other nearby.

In antiquity, a man having a male friend or lover was a way of living. Such relations were commonly accepted, not like today when many people raise their eyebrows, to put it mildly, and condemn the relation entirely. In our modern world, people belonging to LGBTQ groups are still far from being accepted. But that is not the point I want to make, and this is not the place to discuss the matter either.

We’ll find various examples of such relationships in Classical Greece. The Theban Band, which was ultimately destroyed by Alexander at Chaironeia, consisted of elite pairs of lovers. It was a fierce and unbeatable Band of Brothers precisely because they were lovers and would defend their partner to the very end. It was a great honor to belong to this Band famed to be invincible, that is, till they were defeated by Alexander.

Achilles and Patroclus, as described by Homer, is another example. They were so vividly remembered that when Alexander reached the tomb of Achilles in Asia Minor, he and Hephaistion stripped their clothes and ran around the burial mound. They identified themselves with Achilles and Patroclus.

Another famous pair of lovers was Harmodius and Aristogeiton from Athens, who became the symbol of democracy after committing an act of political assassination in 514 BC. They killed Hipparchus, the last tyrant of the city, during the Panathenaic Festival. The Athenians recognized them as the founders of democracy and erected a bronze statue group in their honor. It stood on the Acropolis till it was robbed by Xerxes during the Persian War in 480 BC, and it was installed in Susa. This is where Alexander found the group in 330 BC, and he sent it back to Athens.

Clearly, the friendship/love between Alexander and Hephaistion was nothing new. It was common knowledge among the troops, who accepted it for what it was. The special place Hephaistion occupied in Alexander’s life was, however, a source of envy and even resentment among the other Companions and generals. They must have watched that relationship with Argus’ eyes as they all coveted Hephaistion’s privileged position. Yet, Hephaistion never took advantage of that position. He must have walked a tightrope trying to stay aloft and still accomplish the missions Alexander entrusted to him. He must have been a gifted diplomat, blessed with a huge dose of self-control and endless love for Alexander.

I find it quite intriguing that most of the statues of Hadrian and Antinoüs were made during their lifetime and have survived to this day. This is not the case for Alexander, whose statues were made after his death. Most are Roman copies from the 1^st and 2^nd century AD based on originals by Lysippos, Praxiteles, and other great artists whose works no longer exist. The images of Hephaistion are even scarcer, and one could wrongly assume that his relationship with Alexander was not important enough to be underscored in the art world.

On the other hand, we know that after the death of Hephaistion, many effigies were made. They were presented to the mourning Alexander by his generals. Perhaps they hoped to clear their own conscience or to find a way to console Alexander. It remains to be seen whether that gesture was genuine or only a way to plead their own case to obtain favors. It is not impossible that after Alexander’s own death, his generals destroyed the effigies of Hephaistion in an ultimate urge to satisfy their own desire for revenge.

The fact remains that Alexander and Hephaistion are rarely seen together. I have come across only two such cases. One set of statues stood in a showcase at the National Archaeological Museum of Athens (see: Alexander and Hephaistion side by side). Those statues, found in Alexandria, are a little less than life-size and date from the 1^st century BC. The other example is their respective heads on display at the Getty Museum in Malibu, California (see: Ode to Alexander and Hephaistion). They once belonged to a larger group made as early as 320 BC and found in Megara, near Athens. Both heads have been reworked in antiquity, and Hephaistion’s hair has been trimmed in the process.

Both men are evidently also depicted on the famous Alexander sarcophagus, now at the Archaeological Museum in Istanbul. However, they are not placed next to each other but on either side of the sarcophagus. Alexander is depicted fighting a Persian on one panel and Hephaistion is part of a hunting scene on the opposite side.

Ode to Alexander and Hephaistion

There are hardly a handful of pictures of Hephaistion that came to us from antiquity, and the few that made it are of very poor quality and rather damaged. The only decent statue of him is the head that is kept at the Getty Museum in Malibu, California, together with a head of Alexander that is said to belong to the same multi-figured group.

[picture from Free Image Finder]

Hephaistion, for those who do not know, was the lifetime companion of Alexander the Great. They were together since boyhood, and Hephaistion fought alongside Alexander all through his eastern campaigns till his death in 324 BC. Since then, and with the permission of the Egyptian oracle, Alexander had his friend worshipped as a hero.

Both life-sized heads are said to have been found in Megara (35 km west of Athens) as part of a funerary monument for some courtier who admired and probably worshipped Alexander. Altogether, the Getty Museum possesses over thirty fragments of this group, probably a sacrificial scene that may have included, besides Alexander and Hephaistion, a goddess, Heracles, a flute-player, as well as some animals and birds. The ensemble has been dated to 320 BC, meaning that it was made only three years after Alexander’s death in 323 BC. Striking that these are true Greek heads and no copies were made by the Romans in later years.

Both heads have been re-carved in antiquity. Hephaistion probably once had a metal ribbon or diadem on his head, and his hair has been shortened. Maybe that is why his face looks so young. Alexander’s young, idealized face is represented in the style which made Lysippos so famous, i.e., with deep-set upturned eyes and his typical anastolé.

How unique to have them both together – not only from the original statue but also together at the museum!