Tracking Alexander from Tyre to the Euphrates

When reading any of the Alexander histories, the routes he followed seem to be clear-cut and leave no room for any doubt at all – that is until we actually try to walk in his steps with a map in hand. Many stretches are quite obscure while others are, let’s say, not too obvious. Historians have a tendency to stick to the facts and when nothing noteworthy is happening between point A and point Z, they simply skip every step or stop in between. This is the case when Alexander leaves Tyre for Thapsacus and Arrian simply states that he marches “inland”; a straightforward route until you try to figure it out.

In antiquity, the traveler would generally follow rivers, skirt mountains and deserts, look for arable lands able to provide enough food, and spot wells for drinking water when there is no river on the way. When this is not possible, one has to be inventive. A good example of such creativity is, for instance, when Alexander has his fleet accompanying him along the desert of the Sinai; another one when he returns from Egypt to Tyre and where his army had widely depleted the rare agricultural provisions on their way south a few months earlier and he made use of his fleet once again.

From Tyre, scholars are generally torn between two possible routes leading the army inland. The first would retrace Alexander’s steps north to near Antioch-on-the Orontes along the coastline and from there turn east towards the Euphrates as Cyrus the Younger and Crassus had done, using the fleet to support his provisions. The other possible road, which I prefer because the region was more fertile in antiquity, runs east to Damascus and from there north to Homs, Hama, Apamea, and Aleppo. Or, after all, Alexander may have used a combination of both routes – why not?

Damascus is incontestably the oldest inhabited city in the world and against all odds, I am looking for traces of Alexander but find none. That is not surprising since he only passed through the city in 331 BC; there was no siege or resistance apparently. In fact, there is nothing left that could refer to Hellenistic times, as all traces generally have been erased and supplanted by Roman constructions anyway. The Romans, however, used Greek and Aramaic foundations when they laid-out Damascus, covering an area of approximately 1,500 x 750 meters, inside its protective walls. Damascus counted seven city gates, but only the Bab Sharqi on the east side has survived. This city has been discussed in detail in my earlier blog, Damascus after Alexander.

Even the modern road north from Damascus skirts the eastern flanks of the Lebanon Mountains. The countryside looks uninviting and a pretty barren stretch of some 200 kilometers that Alexander must have tackled stubbornly as always, although the land may have been more fertile in his days.

Beyond Homs, he must have aimed for Hama which lies on the Orontes River and is today one of the largest cities in Syria after Aleppo, Damascus and Homs and an obvious stop for anyone traveling between Damascus and Aleppo. Under Hellenistic rule, the city prospered since it laid on the trade routes between Greece and Asia. Hama is best known for its spectacular large wooden waterwheels – a Roman/Byzantine invention so ingenious that you have to see them in order to fully grasp their significance (see: Hama and its ingenious norias). Known under their Arabian name as norias, their earliest traces are found in a mosaic dating from 469 AD but they may have been used earlier on.

From Hama, the modern road heads straight for Aleppo without being hampered by the desert but Alexander must have stayed closer to the floodplains of the fertile Orontes River for the first stretch of his route at least and would, inevitably, have come to Apamea (see: Apamea, heritage of Alexander).

Leaving Apamea, Alexander must have veered to the northeast across a mostly desert landscape to reach Aleppo, almost one hundred kilometers away. It is not impossible that previously to his march, he organized water depots along the way.

The modern city of Aleppo has been built right on top of its antique remains, meaning that there is very little to see from when Alexander was here in 331 BC. His successor, Seleucos called it Beroea in memory of the city by the same name in Macedonia. It became the center of gravity of the Hellenistic colonization till it was conquered as the rest of Syria by Pompey in 64 BC.

The most striking feature in Aleppo is unmistakably its Citadel situated at the center of the old city that was surrounded by a five kilometres-long wall counting seven entrance gates. To my knowledge, no Greek/Hellenistic remains have been uncovered although excavations have reached the layers of the neo-Hittite period. Yet it seems that friezes belonging to a temple dedicated to the god of storm Hadad dating from the third millennium BC have been discovered.

This partially manmade hill that is crowned by the famous Citadel rises some fifty meters above the city and measures respectively 450 and 325 meters across since it has an elliptical shape. Originally the entire hill was covered with large blocks of whitish limestone that were very difficult to climb; some of these slabs are still in situ. The mound is surrounded by a moat, 22 meters deep and 30 meters wide, which has been added in the 12^th century. The inside of the Citadel is a town on its own with a hammam, a number of mosques, a palace occupied by the sons of Saladin and even a theater that is still being used. All this is obviously a very far cry from what Alexander may have found, but the panoramic view over the roofs of Aleppo cannot have been too much different, except for the presence of minarets and mosques.

Alexander arrived at Thapsacus by mid-summer 331 BC and had two (pontoon) bridges constructed over the Euphrates which, according to historians was a good 700 meters wide at this spot. There have been endless discussions about the location of this city, which has been placed at Al Raqqa, Dura-Europos and even at Deir-Ezzor further downstream. Based on the facts related by Xenophon and Eratosthenes, however, all evidence points towards Carchemish on the Turkish-Syrian border. It seems that, except for a few towering walls, there is very little left of old Thapsacus because after the construction of yet another dam the river has turned into a lake and the scant remains are nothing more than an island in the middle of the Euphrates. It is so sad to find such a historical place swallowed by the waters after centuries of survival!

It so happened that my first view of the Euphrates River was near Birecik, Turkey, on the road from Gaziantep to Sanliurfa, i.e. about 30 kilometers north of the place that has been identified as Thapsacus. Crossing this majestic, wide, blue and fast flowing river over a modern bridge, confirmed that I was truly entering Mesopotamia, the land between Euphrates and Tigris from my history books. The depiction of this being the Fertile Crescent eludes me, for the land is desolate and barren and the houses on the eastern river bank are nothing more than square colored blocks piled up against a sandy hill.

Based on Darius’ earlier crossing of the Euphrates before the Battle of Issus, it may have taken Alexander five days to move his entire force to the eastern bank. The logistics of such an operation are never discussed in detail, neither here nor at any other major river like the Nile, the Tigris, the Oxus, the Jaxartes or the Indus for that matter, but the operations much have been colossal and terribly well organized!

The modern flow of the Euphrates cannot be compared to what it was in Alexander’s days, mainly because of the many barrages that interfere, but it remains a very rewarding experience to follow the river further downstream along the Lake of al-Assad to Rasaffa, Al-Raqqa, Halabia, Deir Ezzor and finally to Dura-Europos. These basically were all Roman forts at the edge of the empire but most probably were first settled by Seleucos a few decennia earlier. Contemplating the river from among the reed fields in the near silence on an early winter evening was one of my greatest experiences. In the tiny villages in between, time has come to a standstill.

Another memorable moment was at Halabia where I climbed up to the remains of a Roman fort. From this strategic location, I could look up and down the Euphrates beneath me as the soldiers had done some 2,000 years ago. From this vantage point, I was reminded of Alexander when the occasional car crossed the rickety pontoon bridge with a resonating sound in the quiet evening air. History was simply unfolding at my feet! I was wishfully thinking to look for Thapsacus around there. 

Loss of our Cultural Heritage in the Middle-Eastern conflicts

The loss of Cultural Heritage due to war is simply heartbreaking and I don’t really know how to formulate my sadness, anger, frustration and despair about the damage done all over the Middle-East and in Syria in particular. I have voiced my concerns in earlier articles “Organized looting in Syria” and “The War in Syria, what will happen to its heritage”. That was resp. in August 2012 and May 2013; the situation has only deteriorated since and is still deteriorating. Syria is exceptionally rich in antiquities and cities built on sites that existed thousands of years ago, where painstaking excavations have brought to light so much unique historical evidence and yet it all seems to be blown away in the dust of war and pillage.

I was lucky enough to visit Syria before these conflicts broke out and I was stunned by the sheer number of antique sites, some going back to the dawn of our civilization, their state of conservation and the care taken in the reconstruction of their past. To name just a few of the oldest cities, there is Qatna (fourth millennium BC), Mari on the Euphrates (third millennium BC), Ebla (3rd/2nd millennium BC),  Ugarit (second millennium BC), while we should not forget that the origins of Damascus, for instance, go back to the seventh millennium BC and that of Aleppo to the fifth century BC. Many of these sites have been included in the List of World Heritage Sites established by UNESCO, yet even UNESCO is helpless in this situation.

 [Pictures of Aleppo from Friends of Asor, The Ancient Near East Today]

A recent article published in the BBC World Magazine shows several pictures “before” and “after” the recent attacks. They say more than words, certainly to whoever has lived, worked or travelled through that area. Some of these shots are not new, like the satellite images of Apamea of 2011 set against those of 2012 in which the looting holes look like craters on the moon. A similar picture shows the damage done at Dura Europos in 2014 as compared to the site still untouched in 2012. Dura Europos is one of those Roman lime-cities that kept the peace along the Euphrates, a marvellous and most intriguing place (see: “Dura Europos, last stop on the Euphrates”). Two thousand years later we cannot achieve what the Romans did.

[Pictures of Dura Europos from Friends of Asor, The Ancient Near East Today]

All over the Middle-East, antiquities are stolen and most of them end up on the black market; excavations are no longer carried out systematically by qualified archaeologists but fall in hands of illegal diggers in search of a quick buck; museums are wrecked and looted. Nobody knows how to stop this pillage and nobody knows how this all will end. It is a nightmare since most archaeological sites are exposed to vandalism and trafficking of antiquities as no one is in charge of their protection. No museum or other institution has any list of the collections hidden in the country or abroad, and there is no way to draw a list of the antiquities that have been stolen.

The concerns are now that after three years of war, Syrian archaeological heritage has reached a catastrophic phase. Reports of organised plundering in Apamea, Dura Europos, and Palmyra cannot be verified but are beyond proportion. A picture has reached us of a Neo-Assyrian statue from the region of Deir Ezzor being chopped to pieces with a sledgehammer. War is not about people, war is not about our heritage, but war destroys both. To what purpose, I wonder.

The dramatic situation is not unique to Syria, but also applies to many places in Libya (see: Still hope, though scant, for Libya’s cultural heritage), Iraq and Afghanistan where archaeological sites are destroyed forever.

It is evident that the humanitarian situation in Syria is extremely distressing and beyond description but at the same time the people’s inherited identity is being threatened with total obliteration. There is no end in view for the deadly conflicts in Syria or in the rest of the Middle-East – it seems only to be spreading like oil on water. It will take nothing less than a miracle to protect Syria’s priceless archaeology and only a combined action between the land that is being looted and the lands that purchase the looted artifacts could stop this destructive process. As to the antique sites and monuments themselves, we can only hope for the best and wait for a possible restoration after the war ends – whenever that may be.

There is a very interesting article about Syria with plain pictures published on the blog of Friends of Asor, The Ancient Near East Today. As to Iraq, please click on the site of The Gates of Nineveh for the heartbreaking bulldozer destruction of historic monuments in and around Mosul by ISIS forces.

[Picture of the sledgehammer destruction is also from Friends of Asor, The Ancient Near East Today]

Dura Europos, last stop on the Euphrates

After Deir Ezzor, Rasaffa, and Halabia, I am heading for Dura Europos, Syria's most southeastern frontier garrison on the Euphrates. The landscape is as barren as the northeastern desert corner of Jordan, and it is hard to imagine that Mesopotamia once was so fertile and consequently so prosperous. Instead, I suddenly see a row of sand dunes, but so straight that they must be manmade. And they are, for these are drift-sands that accumulated against the walls of Dura Europos, the only original Hellenistic fort in the abovementioned series. Approaching from the land side, it is not apparent to appreciate the unique location as the Euphrates only reveals itself once you have penetrated the very heart of the city.

Like Apamea and Deir Ezzor, it was founded around 303 BC by Seleucos. He wanted to build a reliable control post on the Euphrates and new trade routes with his recently founded cities of Antioch-on-the-Orontes and Seleucia-on-the-Tigris. He must have remembered the lessons of his master, Alexander.

Being Hellenistic, it is no surprise that Dura Europos is set up according to the Hippodamian plan with right-angled streets around the large central Agora. The Parthians conquered the city by the end of the second century BC. They stayed till the arrival of the Romans in 165 AD. People of different origins lived in Dura Europos, as testified by papyri and parchment inscribed in Greek, Latin, Aramean, Hebrew, Syriac, the language of Hatra, Palmyrene, Persian, and Pahlavi. But it is mainly the Macedonians who left their indelible imprint on this place.

The main entrance is through the Palmyra Gate, which, although only partially preserved, gives an excellent idea of how this stronghold was conceived. The surrounding massive nine-meter-high ramparts are interrupted by a series of defense towers built, like in Halabia, with the same pink crystal-like gypsum. But it is difficult to get a good overall picture of the site since most of the city is half-buried under the sands. However, on the far left is where the Roman military camp from the third century is located, complete with the commander's palace. 

Following the main street in the direction of the Euphrates, I am pointed to the right, where most of the sixteen temples were situated, worshiped by Christians and pagans alike. The oldest synagogue of Jewish origin is among them, dating according to Aramean inscriptions to 244 AD. Every inch of its walls and ceiling were covered with wonderfully well-preserved frescoes depicting scenes of the Last Judgment. Men and animals from the oldest bible stories are illustrated with vivid images and colorful pictures. The inside of this synagogue has been entirely dismantled and moved to the Archaeological Museum of Damascus, which is worth a visit if only for this synagogue!

Besides the synagogue, there are temples dedicated to Mithras, Baal, and Adonis, proof that Jews, Christians, and pagans lived together in this multicultural city. The first traces of the Mithras Temple go back to the period 168-171, i.e., Roman times. Still, the wall paintings clearly show Parthian influences because Mithras wears Parthian trousers, boots, and a pointed bonnet. It is known that, although the Mithras cult originated in Iran, this God was very popular with the Romans. More exciting finds were made in other buildings, like mural frescos, inscriptions, military outfits such as painted wooden shields, and a complete horse harness, also exhibited at the Museum of Damascus.

 At the bottom of these temples, a small museum has been set up. Although the best pieces are in Damascus, I am happy to see the mural marriage ceremony with priests wearing their funny-looking Phrygian hats – a copy of the original in Damascus. Here, at least, I am allowed to take a picture! Interestingly, the graffiti from the Palmyra Gate helps to better understand the real one.

A last attempt to save Dura Europos was made during the siege of the Persian Sassanids led by King Shapur I in the year 256. The local museum proudly exhibits a copy of a relief from Bishapur, Iran, portraying Shapur in state riding his horse - a man with presence. During the siege, he devised a masterly strategy when he dug tunnels underneath the city walls to undermine them. In a desperate attempt to increase their survival chances, the Romans immediately filled all the buildings and spaces behind the city walls with sand to reinforce them. At the same time, they worked with might and main to fill up the Sassanid tunnels underneath, but there were simply too many corridors and ramifications, leading to the ultimate defeat of the Romans. This is how Shapur conquered Dura Europos. He razed the city to the ground and sold its population as slaves. Part of the destroyed walls is still visible in the southwest corner. However, many survived since the Romans had choked all the buildings close to the walls with sand. Among them was the synagogue with its famous frescoes.

Dura Europos was never rebuilt and disappeared from history until it was rediscovered in 1920. Serious excavations started in 1932 when said frescoes from the synagogue were brought to light. It is pretty unique that the wall paintings display animals and people, together with a Torah shrine on the western wall, i.e., the direction of Jerusalem.

Close to the Euphrates, one cannot miss the elongated remains of the fine Seleucid Citadel, strategically set on its own outcrop, guarding the bend in the river. Such great builders! 

Walking back to the Palmyra Gate, I recognize a square Bouleuterion, but the only information I can find mentions a Baptistery on this spot; this square is supposed to be a shallow pool used by Christian believers to be baptized. The public was evidently seated on the tiers around the basin.

 And then, in January 2009,  Dura Europos made the headlines as new research confirmed that during the Persian invasion, poison gas had been used for the first time in history against the Roman defenders. This conclusion was made based on twenty Roman soldier remains at the foot of the city walls. Analysis showed the product was a mixture of bitumen and sulfur crystals set afire. The gases were directed toward the enemy using several bellows and underground chimneys. Previous speculations about this technique existed, for instance, with the Spartans during the Peloponnese War (400 BC) and from Chinese texts about warfare (500 BC). Still, the theory has just been proven. Quite unbelievable, isn't it?

[For more pictures, click on the album Cities along the Euphrates]

The War in Syria, what will happen to its heritage?

The loss of human lives and the displacement of people are the major consequences of any war and the present conflict in Syria is no exception.

Since ancient times, Syria always was on the crossroads of civilizations fighting for a better life or of kings wanting to expand their territory out of need, ambition or greed. Whatever the reason, Syria was caught in the middle. But there are enough sources that tell us about that facet. I personally want to draw your attention to the loss of Syria’s heritage due to the looting and robbing of their historical treasures that have come to us over thousands of years. 

Cities like Damascus, Aleppo or Homs make the headlines on a regular base, but most vulnerable are the small towns in remote areas of Syria’s vast desert because they are the easiest places for the treasure hunters. These places may or may not fall within my immediate field of interest around Alexander and Hellenism, but they are not less precious to humanity.

The main problem for these remote places is in the fact that in the years just before the outbreak of the war, the Syrian government had built 25 cultural museums all over the country in order to encourage tourism and to keep the local artifacts on the site. Yet the theft of entire ancient cities deprives future generations of their birthright and their true origins. Let’s not forget that Damascus and Aleppo are among the oldest cities in the world – how much of this heritage will reach future generations?

During my visit to Syria a few years ago, I have been confronted with many smaller ancient cities that truly stood out, either in the middle of the widespread desert or in key positions along the banks of the Euphrates River as opposed to the larger cities which are strung along the western border of the country, the most fertile part, of course.

One of the places I saw was, for instance, the magnificent Crusaders’ castle of Crac des Chevaliers which Lawrence of Arabia described as “perhaps the best preserved and most wholly admirable castle in the world”, which has now been shelled, damaging the inside chapel. There were the so-called “Dead Cities”, i.e. hundreds of abandoned Byzantine towns littering the landscape of Northwestern Syria, which have suffered in the recent years from pitched battles as there is no official authority to protect them. This is the area of the San Simeon’s monastery, where this saint is said to have spent forty years of his life on top a column. Even the unique Monastery of Sednaya founded by nobody less than Emperor Justinian and where I was treated to prayers in Aramaic, the language of Jesus, has been damaged by shellfire, damaging its oldest section dating from 574. What is beyond my comprehension is that even the Syrians’ own mosques have not been spared. The mosque of Deera, one of the oldest Islamic structures in Syria has been damaged, and the minaret of the Great Mosque in Aleppo has been blasted recently without any consideration.

I hear that in many cases armed rebels sought refuge behind the strong walls of ancient castles but were preceded by the Syrian military who did not hesitate to blast away parts of these historical buildings. The same military is reported to have dug deep trenches inside Roman ruins also.

Some splendid Roman mosaics of Apamea have been attacked by looters using bulldozers to rip up the Roman floors to take them away. They even managed to take two giant capitals from atop the columns lining up along the Decumanus, the impressive east-west road of Apamea. According to an article in the Mainzer Beobachter of 29 April 2013, the situation is even worse and they publish aerial photographs of the site taken in Summer 2011 as compared to a more recent one taken in Winter 2013. Note the countless pits dug by treasure seekers and looters.

Even southern Bosra, home of one of the best-preserved Roman theatres in the world, has not escaped the destruction of several ancient buildings. Several museums, local or not, have been looted, from Homs, Deir Ezzor, Raqqa, Maarat al-Numan to Qalaar Jaabar. In Homs, the old churches, houses, and streets no longer exist according to archaeological reports. Items from the Aleppo Museum have been transferred to the vaults of the central bank in Damascus, it seems, but that is far from enough. And then, there is the great site of Palmyra, entirely unprotected. Reuters reports that the army has positioned themselves in the museum located between the town and the Roman ruins. They mention that soldiers are camping now in the luxury hotels that once were popular with the tourists and they also positioned snipers behind the old walls of the Roman theatre.

Frightening and terrifying prospects for Syria’s rich and old history. We have seen what happened in Iraq and in Afghanistan. Syria probably will not fare any better – unfortunately.

Deir Ezzor on the Euphrates in Syria

Deir Ezzor is one of those cities whose foundations go back to the third millennium BC, the days of King Sargon I, till it fell in the hands of King Hammurabi (reigned 1728-1686 BC), followed by the Assyrians, the Chaldeans, and the Persians. It is located some 450 km northeast of Damascus on the banks of the Euphrates River. 

When Alexander the Great marched through Syria, Deir Ezzor became part of his empire. After his death in 323 BC, the country was ruled by Seleucos, one of his former generals. In Roman times this green oasis was a crossroad on the trade route that connected the Mediterranean Sea with India. We may not forget to mention Queen Zenobia who in the third century fervently opposed the Roman presence and occupied the city. 

By the fourth century, Deir Ezzor fell under the rule of Aleppo and afterward became part of the Ayubbid and the Mamluk empires. Tamerlane (read more under the Label Central Asia) and his Mongols totally destroyed Deir Ezzor in 1401, after which the city sank into the desert and disappeared.  

It is only in recent years, when oil was discovered in the region that Deir Ezzor was revived, and this is what we are seeing today.

The confrontation with the Euphrates River is always an exciting experience. The river was used as a frontier line for eons and still is – in fact, the other side (east) is where Mesopotamia starts. The French, who arrived here end of the 19th century built a narrow suspension bridge, a mini San Francisco Bay bridge, executed by nobody less than engineer Eifel! Recently, a wider modern bridge has been built for motorized traffic. It is an unforgettable adventure to cross this old bridge on foot as it is now reserved for pedestrians and to feel the soft swinging movement caused by our steps. The strong current of the Euphrates is clearly visible from up here and setting foot on Mesopotamian soil for just a short moment is definitely worth the detour. 

 

This is the story in a nutshell. Unfortunately, no traces have been found of Alexander’s presence here – not yet at least.

[Click here for more pictures of the cities along the Euphrates]

Organized Looting in Syria

Syria seems to be on the verge of a civil war, by itself a most frightening and disruptive situation for all parties involved and especially for the civilians who receive the heaviest blows. Nothing has changed in this world over the centuries, unfortunately. Yet beside the human sufferings and losses, there is always the inevitable destruction of our remnants from the past. Buildings, temples, graves, theatres together with precious statues and artefacts sheltered in the museums are now under threat. Testimonies that go back hundreds and thousands of years, which have been meticulously and lovingly restored and returned to their glorious days of eons past are now succumbing to shooting, looting and other destructions.

Places with ringing names like Palmyra, a UNESCO World Heritage Site, are now being damaged by the ongoing internal conflicts. In Palmyra, the Syrian Army has set up a base on the hill just behind the Roman ruins and firing on them from the ancient strategic position of the citadel and there is nothing we or the UNESCO can do about it. A group that goes by the name “Syrian Archaeological Ruins in Danger” has set up a Facebook space for people to share the news and make us aware of the destruction that threatens the cultural heritage of Syria, especially since reports of actual gunfire on the ruins came through.

Looting is another problem, although not a new one but with no strict reinforcement whatsoever, it is easy to smuggle artefacts over the border to antiquities markets in Europe and the United States. Recently a memo written by the Syrian Prime Minister Adel Safar addressed to the ministers of Culture and Finance as well as to the Governor of the Central Bank has leaked. Safar claims that “professional international gangs” have brought “equipment and satellite communication devices for stealing manuscripts and robbing museums, safes, and banks” (see Global Heritage Fund). Well, whether international or local communities are at fault or not, repeated looting is unfortunately a fact.

In the same article I read that security in Syria’s 25 antiquities museums is being compromised by the ongoing conflict. Provincial museums are hit the hardest as they are spread all over the country near the pertaining excavation sites. Moving their contents to safer locations seems not to be feasible in the present circumstances. I recall the remote locations along the Euphrates, Rasaffa, Halabia, Deir Ezzor, Dura Europos and most ancient Mari … All so close to the Iraqi border, still looking out over the bare desert from their lonely spot. What a mess!