This book is, in fact, Part Four of Cahill’s series published under the global name of “The Hinges of History”, comprising:
1. How the Irish saved civilization – The untold story of Ireland’s heroic role from the fall of Rome to the rise of Medieval Europe
2. The gifts of the Jews - How a tribe of desert nomads changed the way everyone thinks and feels
3. Desire of the everlasting hills - The world before and after Jesus
4. Sailing the wine-dark sea - Why the Greeks matter.
5. 6. 7. Are still under construction.
So many aspects of Greek life are being treated here that I can only mention a handful of the most striking or pertinent elements, like, for instance, Herodotus’ remark that “No one is so foolish as to prefer war to peace: in peace children bury their fathers, while in war fathers bury their children”. Nothing new under the sun, you’ll say, as it applies to today’s circumstances as it did thousands of years ago.
One aspect that is being examined is that for the first time in history, the Greeks invented an alphabet containing vowels, meaning that reading was no longer a gamble, as opposed to the old Phoenician, Persian, and even Arab words that had no vowels. This newly written Greek language was so clear that even women (!), children, and slaves could learn to read and write. The “secrecy” of written language suddenly disappears, the curtain is lifted, and suddenly a whole world becomes available to everybody. Consequently, the centuries-old oral communities (not knowing writing) that needed to do things together and required much more imagination are now, thanks to the written text, replaced by individuals able to think for themselves, which in turn leads to rational analysis. All very logical, but I never thought of it …
And then there is the Iliad! Cahill states that it was a very daring enterprise for Homer to write a book that covered only the last four days of a war that lasted ten years! Yes, that is what surprised me too when I first read the Iliad, but it is even more amazing to find that the feeling of a ten-year-long war is so much alive in the book. After Homer, we must wait several centuries for new books to appear, especially longer works and extensive writings. This is simply because it took a long time to import enough lightweight papyrus from Egypt so that the new texts could be “transported”. Another aspect that is being highlighted is the Greeks’ thrive for competition, one that is still running through the blood of today’s population, I feel. Their need for competition arose in many different fields and not only during festivals or games. It was a way to catch the attention of the general public. This meant that one potter would take it up against an other, one stone-cutter against the other, and also the one poet against the other. The choruses singing the background tale during a theatre performance needed poets to write their parts. Athletes paid fortunes to have their prowess praised by a good poet. The burial ceremonies of important men needed poets to perform “funeral games” to sing hymns of praise that would surpass any previous ones.
And then there is the subject of music in ancient Greece. It seems they knew something called “moods”, which we in our modern Western world limit to minor (sad) and major (happy). The old Greeks seem to have known five of such moods: Doric was warlike, Phrygian expressed contentedness, Ionic sounded tempting, Eolian, and Lydian. For the ancient Greeks, to live without music meant as much as being dead – that is what Sophocles said anyway. Looking at it from that point of view, it is evident that theatre with its choruses is only a stone’s throw away.
Thomas Cahill also spent time explaining the Greek “symposia”, the event where men with the same interests met in order to philosophize and drink together. [The Greek symposion became the Latin symposium, the plural in both cases being symposia – literally “a joint drinking”]. Clearly, a happening that was not exclusively known in Macedonia, although they may have been or probably were rougher than what happened in civilized Athenian circles… These kinds of banquets were held in someone’s home, in a special room called an andron, literally “men’s room”, while the idea was more that of a men’s club from the upper class. The gentlemen were stretched on comfortable couches, wide enough to accommodate two or three guests together. They wore floral crowns (Oliver Stone must have had a very close look to portray the banquet held in honor of Philip’s wedding with Cleopatra) ate from tables loaded with all kinds of food and were treated to music while wine was carried around by servants – usually teenage boys or female hetairai, literally “companions” in the style of geisha’s or call-girls. Young girls were generally kept away from these parties, at least in good society.
From the overall stories, one would expect the Greeks to eat lots of meat because meat was always used in the sacrifices to the gods, either sheep, goat, pork, or beef. Yet nothing is further from the truth since the daily meals were simply fish (including shellfish) and bread. In fact, nothing has changed much over the centuries since in ancient Greece cuisine as in those days, they appreciated artichokes fried in olive oil, or spitted fowl, fresh greens, fruit, nuts, and even fat Sicilian cheeses (if they were lucky). It all was washed down with diluted wine – the amount of water to be added was the responsibility of the host.
On these occasions, besides the contribution of each individual guest, professional entertainers were called in to set the tone for a diverting and enjoyable evening. Soon, the guests would rise from their couches to dance through the night, arm in arm, pounding their feet in a fashion not too remote from Zorba the Greek’s dance. This is described lyrically as if “there was a soul struggling to carry away his flesh and cast itself like a meteor into the darkness”. By the way, the word “lyric” was first used by Homer because this poetry was usually sung to a lyre.
Well, these are only a few facets of the many that Cahill is treating in his book, which is, in fact, a true and thorough analysis of the Greek way of thinking and being. Sailing the Wine-Dark Sea is composed of seven distinctive Chapters:
The Warrior – How to Fight, examining the “Iliad”
The Wanderer – How to Feel, treating the “Odyssey”
The Poet – How to Party, mainly centered on the poetess Sappho
The Politician and the Playwright – How to Rule, handling politics and theater plays with Solon, Aischylos, Sophocles, Euripides, etc
The Philosopher – How to think, a scientific chapter with geniuses like Thales, Socrates, Pythagoras, Plato, Herodotus, Thucydides, etc
The Artist – How to see, about Greek statues, starting with male figures, to which female figures were added in a later stage
The Way they went – Graeco-Roman Meets Judeo-Christian, which evidently treats religion.
To summarize, this is the ultimate book handling all facets of the Classic Greek world – extremely captivating reading!
