The surprise of Myndos

Nowadays, Myndos is probably best-known for its underwater causeway running from the city’s harbor to Rabbit Island, which is guarding the mainland. It is a favorite with the tourists who happily walk across the bay when the sea level is only reaching to their knees. Otherwise, the site has very little to offer with cut stones and column drums strewn around. 

These ruins make it very difficult to imagine that Myndos was once a large prosperous city. In 377 BC, King Mausolos of Halicarnassus established Caria’s independence from Persia. He rebuilt the cities of Myndos and Syangela, and moved all other Carians to Halicarnassus, which he proclaimed his new capital (see: Halicarnassus, capital of Caria). 

Myndos, modern Gümüșlük, had a well-sheltered harbor, well-protected against the prevailing wind. The city had a two-mile-long fortification wall and its most vulnerable southeastern section was strengthened with towers. The green granite used for its construction is the same as the one known from the Mausoleum in Halicarnassus. The quarry providing these stones has been located in Koyunbaba, some three kilometers to the north. 

Otherwise, hardly anything else remains from ancient Myndos. Some rock-cut stairs and foundations of houses are found on the hillside, but the ruins that were present in the early 19^th century have entirely disappeared. They are said to belong to a theater from the 4th century BC, a stadium with 7 columns, vaulted remains of a Bath, and a late Roman/early Byzantine basilica. 

Until the 1990s, there were more ancient stone blocks and bits of columns lying around in the village. Near a school, about 1.5 kilometers inland, some columns and Roman mosaics could be seen. Strangely, the nearby silver mines (hence the name Gümüșlük) are not mentioned in ancient sources. 

When Alexander besieged Halicarnassus in 334 BC, he speculated that Myndos would offer an easier approach. Some people in Myndos had actually suggested that they might open the city gates if he arrived under cover of darkness. Alexander took their word, but when he showed up at the gates there was no sign of surrender. Facing the betrayal, he ordered his Macedonians to attack without much result because he had not brought any rams, artillery or ladders. Myndos put up a vigorous resistance and soon was joined by Halicarnassus’ troops arriving by sea. Alexander was forced to withdraw and returned to besiege Halicarnassus. 

The capital of Caria was not taken so easily because the Persian commander Orontobates had the support of the Persian fleet. For the time being, Halicarnassus was no longer a real threat. Alexander moved on but left Ptolemy and Asander behind to finally take the city and to evict the remaining Persians. It was only a year later, in Soli, that Alexander received the long-awaited news that Halicarnassus had finally fallen!  At the same time, the town of Myndos came under Macedonian hands (see: A two-month-project to excavate the city of Soli). 

After the king’s death, Myndos was ruled by the Ptolemies from 308 until 275 BC. In 96 BC, it became independent and minted its own coins. Myndos was included in the Roman Province of Asia Minor in 133 BC. 

The harbor city was again in the news after the murder of Julius Caesar in 44 BC, after which Brutus and Cassius were expelled from Rome; they took their fleet to safety here at Myndos. By the end of 42 BC, the two murderers lost the battle against Marc Antony and Octavian in Philippi, and Myndos was given to Rhodes (see: Philippi, Macedonia’s gold and silver mines). Not for long though as the Rhodians treated Myndos harshly and unfairly and became independent again. However, it gradually lost its prosperity, although it may have survived till the 7th century AD. 

Myndos is often referred to as a Lelegian town, dating back to the Bronze Age. Except for its name, it has no connection with the classical city discussed in this article and both have a different history. The Lelegian site is nowadays called Old Myndos and lies a good three kilometers southeast of Gümüșlük.

Xanthos, the greatest city of Lycia

Xanthos is another of those cities whose name has a magical sound to it. The town takes its name from the nearby river, now called the Eşen Çayi, and lies less than ten kilometers from its sister city, Letoon. Today both cities have been put on the list of Unesco World Heritage sites, which is not without reason.

Xanthos, most famously known for its Nereid Monument, was nearly entirely moved to the British Museum by the not infamous Charles Fellows in the 19^th century. This monument is a huge and elaborate tomb created around 380 BC in a mix of Greek style and Lycian portrayal. It could well have been commissioned by the local dynast Arbinas and his family since his name has been found on several monuments in Xanthos and nearby Letoon. The Nereid Monument probably shows scenes from Arbinas’ life. Architecturally speaking, there is a close resemblance to the Temple of Nike and even to the Erechtheion on Athens’ Acropolis. The reconstruction at the British Museum gives a splendid view of the east side of the building, and the sculptures that could not be inserted in their appropriate spots are arranged elsewhere in the room. This is one of the must-see pieces at this museum, especially considering that Alexander must have seen this monument when he conquered Xanthos in late 333 BC. Today, we only have the foundations to remember the location.

Alexander must also have known the bloody stories about the pride and strife for the independence of Xanthos’ citizens, especially since the earliest recorded event dates from 545 BC. That year, they were attacked by the Persians, but instead of accepting their defeat, the men of Xanthos decided to retreat behind the walls of the acropolis and set fire not only to their goods but also to their wives and children, elderly, and slaves. Then the men hurled themselves on the enemy, and all perished. Only about 80 families absent from Xanthos at that time survived and slowly rebuilt the unfortunate city.

A very touching poem about this mass suicide has been recovered during the excavations of Xanthos, and this is how the translated text reads:

We made our houses graves                             And  our graves are homes to us
Our houses burned down                                  And our graves were looted
We climbed to the summits                              We went deep into the earth
We were drenched in water                              They came and got us
They burned and destroyed us                          They plundered us
And we,                                                          For the sake of our mothers,
Our women,                                                    And for the sake of our dead,
And we,                                                          In the name of our honor,
And our freedom,                                             We, the people of this land,
Who sought mass suicide                                  We left a fire behind us,
Never to die out...

Clearly, this patriotism left deep scars on the people’s memory, and we can be assured that Alexander was not welcome here!

A major fire totally destroyed the Acropolis between 475 and 470 BC, but it rose from its ashes again and expanded rapidly. The gruesome suicidal episode was, however, repeated in 42 BC when Brutus attacked the city. Even he was shocked by the voluntary suicide of these people and went as far as to offer his soldiers a reward for every citizen they could save – only 150 people survived.

Today, the hills around Xanthos are richly dotted with Lycian pillar tombs and sarcophagi, a unique insight into this kind of architecture one cannot easily forget.

The best-known pillar tomb is the eight-meter-high Harpy Tomb, named after its decorative relief. It is a 5th-century BC pillar holding a grave chamber crowned with marble slabs on all four sides. The Persian (Median) influence is rather evident on these reliefs because of the depiction of the ruler sitting on the throne. Another theory points towards Persephone as queen of the Underworld, represented between Demeter and Persephone. Many figures are holding a pomegranate, a widely spread symbol of fertility used all over Asia Minor. At the corners of these 7.5-meter-high slabs are reliefs of harpies, mythological figures with the body of a bird and the head of a woman carrying the soul of the dead. The original panels are now on display at the British Museum, but copies have been placed at the site.

Next to the Harpy Tomb stands another pillar tomb dated to the fourth or third century BC. This construction is pure Lycian, consisting of a pillar topped by three reverse steps supporting the sarcophagus. It is, in fact, a double tomb, one inside the pillar and one inside the sarcophagus.

Lycian sarcophagi are pretty unique as the tombs are crowned with a roof shaped like the hull of a boat turned upside down. This top lid generally has two knobs on each side, often carved in the shape of a lion’s head, used to lift the lid when another family member had to be added. Some of these lids are enhanced with reliefs, as well as some of the side panels. The entire landscape around Xanthos is littered with such sarcophagi. Many similar rock tombs have stone lintels holding up a stone imitation of wooden roofing. All the entrance doors are broken open - some of which are sliding – giving access to the burial chamber with three beds along the inside wall where the dead were laid to rest. It is pretty exciting to stroll around and take a closer look at the tombs' different shapes and sizes!

Another magnificent example is the richly decorated Payava or Lion’s Tomb from 360 BC that initially stood at the southeast corner of the city’s acropolis. It can now be admired at the British Museum together with other precious monuments from Xanthos.

The so-called Xanthian Obelisk is another remarkable monument. It dates from 450-400 BC and is, in fact, a tall pillar tomb covered with the longest Lycian inscription known to date. All four sides are covered by the 250 lines written in Lycian and Greek. At first glance, the Lycian writing looks very Greek, but upon closer examination, it appears that some letters do not exist in the Greek alphabet. This inscription has helped decipher the Lycian language, much like the Rosette stone, although not entirely. In any case, it has been determined that this monument was built to commemorate the victorious battles of Kherei, a Lycian prince. This eleven-meter-high obelisk once stood at the corner of the Agora, which during the 2^nd or 3^rd century AD, was replaced by a Roman Agora. Initially, the Obelisk rested on a two-stepped krepis and was crowned by a funerary chamber decorated with a relief on all four sides, very much like the Harpy Tomb; this relief, in turn, was protected by upside-down steps and crowned by the statue of a prince seated on a throne in the shape of a lion. The tomb has been badly treated, for the funerary chamber has been moved to the Archaeological Museum in Istanbul.

The abovementioned Harpy Tomb and Pillar Tomb were left untouched by the Romans when they expanded the underlying Hellenistic theater in the 2^nd century AD. I find it rather significant that the Romans left these tombs intact – maybe some reverence for the dead, who knows. However, much of the theater has survived except for a few top rows. Access is still possible through one of the vaulted parados, which is always a thrilling experience.

The Roman Decumanus, a wide paved marble street with colonnades on either side, has also been excavated. Among them is a particular column dedicated by Emperor Trajan in 100 AD carrying the inscription “father of fathers, emperor, ruler of Xanthos” to ensure he’d be remembered. The broad sidewalk is covered with mosaics, now hidden underneath a protective sheet. The crossing with the Cardo is marked by an archway of two bows instead of the usual three, and here also, the sidewalk in front of the shops, whose facades are still visible, is covered with mosaics. In the sixth century AD, these mosaics became the floor of the Byzantine Basilica. Another Basilica to the east of the Agora was built over an earlier Roman Temple, and several mosaics have been cleared for the visitor to see.

[Click here to see all the pictures of Xanthos]

Along the Via Egnatia: Apollonia in Illyria

The Via Egnatia, as mentioned earlier (see: Via Egnatia, a road to remember), was built by the Romans in the 2nd century AD and served as a major connection between Byzantium and Rome. As far as the Illyrian part is concerned, the road came from Ohrid (Republic of Macedonia), then ran through Elbasan, where it split in two, one arm connecting directly to Dyrrhachion (Dürres) and another one crossing Apollonia and Antipatrea (Berat) to end also in Dyrrhachion on the Adriatic coast where ships ferried people and goods to Brundisium (Brindisi) on the Italian side. 

To name a city after the sun god Apollo seems to have been very popular in Greek history as we find several cities by the name of Apollonia in Turkey (Lycia, Mysia, Pisidia, etc.); in Sicily, Italy; in Greece itself (Thessaloniki, Chalcidice, Kavalla, etc.) and in Crete; in Libya, where it was the harbor of wealthy Cyrene; and finally here in Illyria, modern Albania.

This time, I’ll be concentrating on Apollonia in Albania, located about 7 kilometers from Fier (see: Alexander’s psychological warfare in Pelium, Illyria). The city is well documented during Roman times, and the remains are obviously very Roman too. For Alexander, this was deep into the Illyrian country, just beyond the northern border of Epirus.

The original name was Gylakeia, after its founder Gylax, who belonged to the Illyrian tribe of the Taulantii. It was the Greek colonists migrating from Corinth and Corfu in 588 BC who changed the name to Apollonia. They were the ones who controlled the city and ruled over the Illyrians. Money was made from the slave trade and agriculture, but maybe mostly through the supply of asphalt, which was a valuable material for the caulking of ships in antiquity. Located on a branch of the Via Egnatia, it is obvious that it was an important harbor along the Illyrian coastline to link up with Brindisi on the other side of the Adriatic Sea and a transit port for all kinds of goods traveling between Byzantium and Rome.

This is the area where King Pyrrhus (a great-nephew of Olympias and cousin of Alexander the Great) ruled roughly from 306 to 272 BC while mingling in Macedonian affairs in the wake of the Diadochi Wars. He tried to keep the Romans out of Illyria, but by 229 BC, they firmly established themselves. I find it rather strange that Apollonia, like so many other Illyrian cities, was so loyal to the Romans. Maybe that is because the city was rewarded with the booty taken from their defeated King Gentius of Illyria – not very patriotic, I would say. By 148 BC, Apollonia became part of the Roman province of Macedonia, Epirus Nova. About a century later, the city supported Julius Caesar in his war against Pompey but fell into the hands of Brutus in 48 BC. Apollonia could also claim to have contributed to the education of Emperor Augustus, who studied at its famous school of philosophy in 44 BC, where Athenodorus of Tarsus was his teacher. Together with other cities in the area, Apollonia flourished and was even mentioned by Cicero as “magna urbs et gravis”, meaning “a great and important city”. Strabo also mentions the city in his Geographica as “an exceedingly well-governed city”. Decline set in during the third century AD when its harbor started silting up after being hit by a severe earthquake, which changed the course of the Aoos River. The inland turned into an ever-growing malaria-ridden swamp, and the inhabitants moved out to resettle at nearby Avlona (modern Vlore).  Only a small Christian community that moved in during the very early days of Christianity remained; they may have built the first church of Saint Mary. Today’s church dates from the 14th century and houses the local museum.

The visitor’s attention is immediately drawn toward a colonnaded façade that could be part of a temple. Still, it turns out to be the entrance to the Bouleuterion from the second century AD – quite unusual since generally, the tiers of such a city council survive but not the portal. The columns are definitely Corinthian, and in the architrave above them, we can still read the Greek dedication: “To the memory and in honor of Valentinus Villius Furius Proculus from his brother Quintus Villius Crispinus Furius Proculus, prefect of a cohort in Syria, tribune of the Legion Gemina in Pannonia, and president of the sacred games. A fight of 25 gladiators was held for the inauguration.” This Bouleuterion is surrounded on three sides by rooms, some kind of annexes to the Ionic Temple next to it. What is left are mainly low walls, and archaeologists suppose that these rooms were used for administration or for the priests’ duties. The outlines of the temple itself are easily located with a few columns sticking out from the grass.

Across from the Bouleuterion are two big stumps of stone indicating the site of a triumphal arch at the end of the street leading into Apollonia and dating from the 3rd century AD. To the right, but difficult to make out, are the remains of a Library from the 2nd-3rd century AD, proof of the city’s importance – if needed. On the other side of the street lies an Odeon that has been carefully restored and could hold as many as 650 spectators. Adjacent is a small Sacellum, an open sanctuary dedicated to an imperial cult. The niche was most probably flanked by two Ionic columns, and we still can see the rosettes and lion paws of their base.

It is followed by a portico, 78 meters long, punctuated by 17 niches that once held marble statues. This portico seems to date from the 4th century BC and was divided lengthwise into two by a row of Doric columns, whereas the outside columns were of Ionic style. I am told that this kind of structure is unique for Apollonia.

The portico ends at the Sacred Road, where we find a temple right around the corner, dating from the second half of the 2nd century BC but probably renovated four centuries later and possibly dedicated to Jupiter, Juno, and Minerva. The Sacred Road continues further uphill to the Acropolis, where little or no excavations have been done. With a width of nine meters, it is the widest street so far in Apollonia, paved with river pebbles laid directly on the clay surface.

On the other side of this Sacred Road are three vaulted shops, almost square in shape (3.45x3.40m), whose entrance could be closed by heavy double doors. The walls were very thick to keep out the moisture and guarantee a nearly constant temperature in order to preserve the goods stocked inside. They seem to have been built during the second half of the second century AD. Against these shops, another construction deserves our attention, for this is a water cistern that was used from the 4th century BC all the way to the 2nd century BC and has still kept its impermeable inside coating.

Opposite this Sacred Road are the remains of a large villa, in fact, no more than a succession of mosaic floors. The house was divided into four parts: an entrance portico of 14x5.8 m right opposite the Sacred Road; the main room measuring 12x11.8m with a center of white mosaics surrounded on all four sides by a corridor 2.9 m wide paved with little brick squares of 5x5 cm; the back room overlooking the sea. It is thought that this house was used as a gathering place for the believers before starting their procession over the Sacred Road. The most precious mosaics have been covered, of course, but the remaining ones are quite interesting. The attentive visitor will also notice the clearly Roman sewage system running parallel to this building.

Like every single Greek city, the location of Apollonia was chosen with the greatest care, overlooking the Aoos River and its fertile valley with the Adriatic Sea at the far horizon.

My greatest surprise, however, was the local museum, housed in the 14th-century monastery attached to the church of St Mary, by itself worth a visit. Under the watchful eyes of the soaring Pantocrator, it is easy to discover all sorts of antique fragments: Corinthian capitals placed upside-down to serve as a base for some Christian relic or flowers; the marble wall of a well with deep gutters left by the ropes that pulled the water-buckets over the centuries and now on dry land; small lidless sarcophagi turned into mini-gardens; and other spolia spotted in the outside walls. In the upstairs portico leading to the very entrance of the museum, several grave steles and smaller altars have found refuge.

Since I have been walking through Roman Apollonia, I expect this museum to reflect that image. Well, not entirely so, for originally, the city was founded by Greeks who imported the art from their hometowns or created their own imitation. I walk among Attic vases and hydras from the 5th century BC, Apollonian bottles and pots, but also some Italic imports. The Hellenistic period is also very present with several marble steles, reliefs, busts, and statues, but the eye-catcher is this wonderful shield that I immediately recognize as Macedonian. But wait a moment … according to the label it seems to be Illyrian! How on earth is that possible? I take a closer look at this splendid piece with three concentric circles in its center, around the frightening head of a Gorgon in Classical Greek style, sticking out its tongue and staring at me with shiny inlaid eyes. The border of the shield also counts three concentric rows of circles framing six half-circles around the edge. I fail to see what makes it Illyrian and inquire with the museum director, who tells me that the difference lies in the curving. Well, I suppose he knows, but I am not entirely convinced till I see other examples of Illyrian shields later on in Tirana and at the Skanderberg Museum. I’m totally baffled by this revelation! Ironically, the Illyrian shield in Apollonia is presented next to a splendid Macedonian helmet that has been dated to 314-312 BC, a rather narrow timeline.

So, all in all, Apollonia was definitely worth a visit, including the local museum. Some artifacts, however, have been moved to the national museum at Tirana, where I discovered a hoard of silver drachmae from the 1st century BC, as well as a head of Demosthenes (1st century AD) – of all people, what is he doing here?

I’m not too far away from Alexander, after all!

[Click here to see my full album about Apollonia and its museum]

Via Egnatia, a road to remember

During my first visit to Philippi (Greece), I noticed the inscription “Via Egnatia” next to what appeared to be a Roman road running a couple of meters below the modern road and parallel to it.

Till then, I only knew about the main roads of Italy, like the Via Appia, the Via Emilia, Via Aurelia, Via Flaminia, the Via Trajana, and the Via Ostiensis, to name only a few, but the Via Egnatia?

Since it bordered the Roman Agora at Philippi, it must have been important, and I soon found out that it ultimately connected to Rome. Built in the 2nd century AD, it started back in Byzantium, running through Thracia, Macedonia (Philippi, Kavala, Amphipolis, Thessaloniki, Pella, Edessa, Florina) over the mountain passes to Lake Ohrid; from there, over a difficult stretch along the Genusus River to the Adriatic Sea at Dyrrachium (originally Epidamnos), today’s Durrës in Albania opposite the port of Brindisi on the Italian Peninsula; hence the connection to Rome. Like most Roman roads, it was about six meters wide, and in many places, it was covered with large stone slabs. In total, it covered a distance of 1,120 kilometers. According to Strabo, it was named after Gnaeus Egnatius, proconsul of Macedonia, who seems to have initiated its construction, although that has not been proven yet. The road was expanded and improved many times, and for centuries, it remained Rome's vital link with its eastern provinces.

[picture from Wikipedia]

The Via Egnatia made history when Julius Caesar and Pompey marched over it, fighting for supremacy during the Great Roman Civil War that lasted from 49 to 45 BC. Leading to the Battle of Philippi in 42 BC, the armies of Marc Antony and Octavian pursued Cassius and Brutus along the same road, and several milestones have been recuperated, recording the many crucial events of its life span. By the fifth century AD, large sections fell into disrepair, especially at its western end, and the Via Egnatia became more of a name than an actual highway.

The modern version, called Egnatia Odos, now links Igoumenitsa on the Adriatic coast to Greece’s eastern border with Turkey - a distance of 670 km and a worthy ode to the ancient Via Egnatia.

[Egnatia Odos]

Many portions of the antique highway have survived, and the best known, I think, is to be found in Philippi. But this soon may change with the discovery of a marble-paved road at a depth of three meters during the construction works for the metro in Thessaloniki. Many tombs and graves from the fourth century BC to the fourth century AD once lined this road and yielded many offerings that accompanied the dead. So far, 1,500 pieces of silver, gold, and copper jewelry have been unearthed, as well as gold coins from Persia, glass perfume bottles, terracotta vessels, and even eight golden wreaths.

Philippi, Macedonia’s gold and silver mines

Philippi is one of the milestones in the life of King Philip II, but maybe even more so in shaping the history of Macedonia. An exciting place to visit in order to visualize its importance.

Today, Philippi lies within easy reach of Thessaloniki thanks to the freeway Thessaloniki-Amphipolis-Kavala, roughly 160 km. From there, the road North to Drama and Serres leads you straight to Philippi after less than 15 km. It is a lovely drive, in spite of being on a freeway, for the road offers impressive views over Lake Koroneia and Lake Volvi, along which King Philip II of Macedonia, as well as his son Alexander the Great, must have marched eastwards. Between Stavros and Amphipolis, the road runs close to the sea as it crosses the delta of the River Strymon, which, before Philip’s reign, was the eastern frontier of Macedonia. From Amphipolis to Kavala, the road runs a little more inland but right around the foothill of the Pangaeon Mountains, rich in gold and silver mines. And that is what Philippi was all about.

The antique city of Philippi was situated at the top of a hill, overlooking extensive marshlands that ran all the way to the seashore. On the east, we find the gorges of the Sapaeans and Corpileans, while in the west, we discover the beautiful, fertile plains that border the River Strymon. There is another nearby hill called the Hill of Dionysus, rich in gold. The remains we see today are mostly from the Roman city located at the foot of the ancient citadel, but that is a different chapter in history. 

Let us start with King Philip, who was the one to put the place on the map, starting in the early years of his kingship. At that time, the place was called Crenides because of the many springs bubbling up around the hill, and it was a colony of the island of Thasos. Towards 357 BC, the king of eastern Thracia besieged the strategic and precious city of Crenides, just above the port of Neapolis (today’s Kavala), a valuable naval base in the region. Philip immediately marched in and defeated the Thracian forces. He was determined to stay, and in order to put his stamp on this place, he changed the name to Philippi. He fortified the city walls and towers of this strategic location from where he could control the entire Strymon Valley and beyond that all the way to the Danube hinterland. Besides that, he had access and control over the port of Neapolis.

These newly acquired mines provided Philip with a reliable and steady inflow of money, Crenides being the largest and most profitable mine. To improve the situation further, he had the marshy plain drained and cultivated, adding another boost to the local economy. 

The city prospered in Hellenic times thanks to the Via Egnatia, which passed through Philippi in the 1st century BC, making it even more important. Philippi turned out to be a major center, connected through this Via Egnatia with Amphipolis, Thessaloniki, and the ports of the Adriatic Sea in the west, and to Neapolis and Byzantium in the east.

Things changed dramatically when the plains of Philippi became the theater of an important battle in 42 BC. Two Roman armies approached each other: Brutus and Cassius, the assassins of Julius Caesar and defenders of the Roman Republic, arrived from the east, and a bit later, the triumvirs Marc Antony and Octavian moved in from the west, wishing to avenge the murder of Caesar. This was not just a battle between rival factions; the future of Rome depended on it. Because Brutus and Cassius had occupied the best positions on two hills approximately four kilometers from Philippi, Marc Antony tried to circumvent Philippi by building a causeway through the wetlands to the south of the city, but Cassius discovered the plan and built a transverse dam. But then, Marc Antony unexpectedly stormed Cassius' camp. This was a great maneuver for it made Cassius believe that all was lost, and he committed suicide. That was a far too hasty decision, for at the same time Brutus had defeated Octavian and captured his camp and that of Marc Antony. In other words, both sides had won a victory and suffered a defeat.

A second clash occurred a few days later. This time, Marc Antony and Octavian were able to lure Brutus into a battle he should not have accepted and the triumvirs ended up victorious. As we know, eleven years later Octavian defeated Marc Antony at the Battle of Actium and took on the surname Augustus. Veterans of these battles were settled in Philippi, which became a Roman colony (Colonia Augusta Julia Philippensis). The city expanded and became an economic, administrative, and artistic center, the result of which we can still see in today’s remains.

An important visitor to Philippi was Apostle Paul, who spent time here in 49 or 50 AD establishing the first Christian Church of Europe, making Philippi a metropolis of Christianity.

The city was slowly abandoned in the early 7th century AD due to repeated earthquakes and the invasion of the Slavs. However, it survived the Byzantine era as a fort on top of the Acropolis but was entirely deserted after the Ottoman conquests of the 14th century.

All the road signs are in place, and ancient Philippi welcomes the visitor with a spacious parking space and an even more spacious park where school children seem to have gathered today for a special outing. I hope they are not screaming like this around the site!

They are not; I even seem to have the excavation site all to myself, except for a bus or two with Chinese tourists who move with a discipline of their own.

• The very first building I encountered was inevitably the theatre. It was probably built by King Philip II around the middle of the 4th century BC and was improved in the 2nd/3rd century when the Romans made rearrangements and additions to meet the needs of that time.

• The walls and the Acropolis. The line of the walls begins at the top of the hill, and it surrounds the foot of the hill and part of the valley below. The structure has two architectural phases: the first was built by Philip II and the second by Justinian I in A.D. 527-565. Inside the Acropolis, there is a tower dated to the Late Byzantine period.

• The Agora (Forum). The Agora, built during the reign of Marcus Aurelius, was the administrative center of Philippi. The public buildings are arranged around a central open square (100x50m). It is bordered on the north side by the Via Egnatia, and on the other sides by steps and porticoes leading to the main municipal buildings. Parallel with the Via Egnatia were fountains, a rostrum, and commemorative monuments. The west side is bordered by traces of a temple and administrative buildings. In the southwest corner stands an unusual upturned marble table, the cavities of which are thought to have been used for measuring, and holes in the ground for playing marbles.

• The Palaestra. The largest part of the monument is now covered by Basilica B. The Palaestra comprised a peristyle central court, rooms, and a small amphitheater.

• The prison of Apostle Paul. The structure is actually a Roman water cistern, which was later converted into a cult place.

• Basilica A. Large, three-aisled basilica (130x50 m) with a transept aisle on the east side, a square atrium, and a gallery over the aisles and the narthex. Fragments of the luxurious pavement and part of the ambo are preserved in the middle aisle. Particularly impressive are the frescos that imitate orthostats (dados) on the porch of a chapel. Dated to the end of the 5th century A.D.

• Basilica B. Three-aisled basilica dated to ca. 550 A.D. It has a narthex and annexes to the north and south (phiale, vestry). The almost square central aisle was covered with a vault supported by huge pillars composed of ancient drums. A second vault roofed the sacred Bèma. Its sculptural decoration is under the influence of Constantinople.

• Basilica C. An impressive three-aisled basilica with narthex and transept, and a double ambo. It had luxurious marble inlaid floors and rich sculptural and architectural decoration. Dates from the 6th century AD.

• Octagonal church. The building's layout is square as seen from the outside and octagonal inside. The nucleus of the whole structure is the vaulted tomb-heroon of the Late Hellenistic period. The octagonal church was built in ca. 400 A.D. and replaced the first small church dedicated to Apostle Paul.

• In the area between the Via Egnatia and the cult buildings of the Octagon, we find one of the Baths of Philippi. The complex also includes the phiale, a baptistery, and a monumental gateway towards the Via Egnatia.