Alexandria's founded by Alexander

Alexandria's founded by Alexander the Great (by year BC): 334 Alexandria in Troia (Turkey) - 333 Alexandria at Issus/Alexandrette (Iskenderun, Turkey) - 332 Alexandria of Caria/by the Latmos (Alinda, Turkey) - 331 Alexandria Mygdoniae - 331 Alexandria (Egypt) - 330 Alexandria Ariana (Herat, Afghanistan) - 330 Alexandria of the Prophthasia/in Dragiana/Phrada (Farah, Afghanistan) - 330 Alexandria in Arachosia (Kandahar, Afghanistan) - 330 Alexandria in the Caucasus (Begram, Afghanistan) - 329 Alexandria of the Paropanisades (Ghazni, Afghanistan) - 329 Alexandria Eschate or Ultima (Khodjend, Tajikistan) - 329 Alexandria on the Oxus (Termez, Afghanistan) - 328 Alexandria in Margiana (Merv, Turkmenistan) - 326 Alexandria Nicaea (on the Hydaspes, India) - 326 Alexandria Bucephala (on the Hydaspes, India) - 325 Alexandria Sogdia - 325 Alexandria Oreitide - 325 Alexandria in Opiene / Alexandria on the Indus (confluence of Indus & Acesines, India) - 325 Alexandria Rambacia (Bela, Pakistan) - 325 Alexandria Xylinepolis (Patala, India) - 325 Alexandria in Carminia (Gulashkird, Iran) - 324 Alexandria-on-the-Tigris/Antiochia-in-Susiana/Charax (Spasinou Charax on the Tigris, Iraq) - ?Alexandria of Carmahle? (Kahnu)
Showing posts with label Apollonia (Libya). Show all posts
Showing posts with label Apollonia (Libya). Show all posts

Friday, July 5, 2019

Cyrene and other Libyan sites defaced and left for grabs

The great city of Cyrene that rose from its ashes in the last one hundred years or so is sadly being defaced by graffiti. It is left at the mercy of vandals and looters. The local population, for whatever reason, confiscates the land illegally, and only Zeus may know what will become of this precious gem on the coast of North Africa.

Cyrene is on the UNESCO World Heritage list with the archaeological sites of Leptis Magna, Sabratha, and Ghadames (pre-Saharian city), all tagged as “in danger.” Other smaller but no less precious sites have been plundered and looted at the same rate or maybe more, because they are not so well known or documented. Cities belonging to the Cyrenaica, like Ptolemais and Apollonia, and the rich Roman villas strung along the western seaside, roughly between Leptis Magna and Sabratha, are easy targets.

Since the fall of Muammar Gaddafi in 2011, the Department of Antiquities has been virtually powerless and has no means to stop vandalism or theft. Many artifacts have been smuggled outside the country, and it seems to be everyone’s guess which objects are gone and who has acquired them.

The people of Libya, unfortunately, do not appreciate their cultural heritage, and obviously, they have other priorities.

What is the use of having laws against looting and illegal operations if there is no central power to enforce and apply these laws, I wonder. With the best intentions, a “world heritage” in this context is meaningless.

Saturday, September 19, 2015

Two more cities of Libya’s Pentapolis: Taucheira and Euesperides

The Libyan Pentapolis included Cyrene, Apollonia, Ptolemais (or Barca), Arsinoe (or Taucheira), and Euesperides (or Berenice), all situated in Cyrenaica in eastern Libya. The region was very fertile and produced wheat and barley, as well as olive oil and wine; the orchards, in turn, were filled with fig and apple trees; sheep and cattle roamed widely; and above all, this was the only place in the world where silphium grew, a natural medicine, a contraceptive, and aphrodisiac.

I previously developed the history and roles of major cities like Cyrene, Apollonia, and Ptolemais, so this time, I’ll concentrate on Arsinoe or Taucheira (modern Tocra) and Euesperides or Berenice (near modern Benghazi) to make the story complete, although I have not personally visited these sites.

Ancient Taucheira lies 70 km to the east of Benghazi and was probably the smallest city of the Pentapolis. It was founded by colonists from Cyrene, not too long after Cyrene’s own foundation. It was Ptolemy II Philadelphus who changed the city’s name to Arsinoe after his sister and wife. Unfortunately, Justinian gave orders to build a new wall around the city, for which stones from earlier constructions were used, in accordance with the typical Byzantine fashion. As a result, not many ruins are left to see, although the general layout is still recognizable in spite of the overgrowth. A good viewpoint is the tower erected by the Italians who occupied Libya early in the last century.

Euesperides, on the other hand, was founded around 525 BC, probably by people from Cyrene or from Barca, on the edge of the lagoon opening towards the sea. The name Euesperides is thought to refer to the mythological gardens of Hesperides. After Ptolemy III married Berenice, the daughter of the governor of Cyrene in 246 BC, the city was named Berenice after his wife. But that was not enough in Ptolemy’s eyes, for he moved the entire city to the present location of Benghazi, although the move may have been triggered by the silting up of the lagoon.

The oldest coins minted in Euesperides are from 480 BC and carry an engraving of Delphi, with on the reverse a picture of the now-disappeared silphium plant. This is a sign that the city enjoyed a certain independence from Cyrene at the time. The constitution of Euesperides was similar to that of Cyrene, meaning that it was ruled by a board of chief magistrates and a council of elders.

After the death of Alexander the Great, the city knew uncertain times, and even the Ptolemaic dynasty was not able to keep a true hold on the Pentapolis. It later became a bishopric and was taken by the Ottomans in 1540. Modern Benghazi is built right on top of Ptolemy’s city, meaning that there is only a slim chance of finding any tangible remains from antiquity.

Friday, May 1, 2015

Ptolemais, heritage of the Ptolemies in the Cyrenaica (eastern Libya)

The origin of Ptolemais (or Barca) of the Libyan Pentapolis (see: Apollonia in Cyrenaica (eastern Libya) after Alexander) goes back to the middle of the 6th century BC. Still, the name Ptolemais was probably given by Ptolemy III Euergetes, the grandson of Ptolemy I, who, in 322 BC, added the city to his realm after becoming the ruler of Egypt as successor to Alexander the Great. When the Romans annexed Egypt in the first century BC, they granted Ptolemais the status of a separate province. Since the city had no local water supply, the Roman architects managed to bring in water from the surrounding hills and store it in seventeen huge cisterns under the Forum. It was a flourishing city until it was struck by the destructive earthquake of 365 AD, which caused the entire North African coast to drop by about 4 meters. The invasion of the Vandals in 428 probably gave the final blow. The Byzantines moved their military governor to Apollonia, and the Arabs ensured the city was abandoned.

It still looks abandoned today, a mere flat site thrown with stones and rocks, with a sporadic tree to bring in some color. The access road to ancient Ptolemais is not inviting either, as it runs through a solid row of abandoned houses that the Italians built last century – a proper ghost town known as Tolmeitha. It is an eerie feeling to drive over this straight road flanked by colorful facades with cast-iron decorations, which, for some reason, made me think of the Via Appia in Rome, where the tombs are replaced by empty houses.

The city of Ptolemais is no more than a field on a gentle slope from the Mediterranean up to the mountains, where even the Hippodamian plan is hard to figure out. I am happy to be pointed to the familiar Decumanus and Cardo once I’ve reached the crossroad where a piece of wall and a lonely column are all that remains of the Arch of Constantine from 312 AD. The Decumanus has been promoted to Monument Street or Via Porticata, with on one side the Roman Baths and on the other side the remains of a private house. It was on this road that the Edict of Diocletian from 301 AD was found, setting the prices for the trade goods now in the local museum.

At the next crossroad, marked with Four Columns, I turn right to visit the imposing remains of the so-called Palazzo delle Colonne, meaning the “Villa with the Columns.” Since this is about the only reconstructed building, it can hardly be missed. The Villa lies here in all its splendor, and it is generally accepted that it was built according to the then-prevailing fashion in Alexandria (Egypt). This theory is hard to verify since old Alexandria is still buried deep under the modern city, and an excellent example of such a villa has never been found, but I like the idea. In any case, the owner was not a poor man.

We owe the qualification of Palazzo to the Italian archaeologists of the last century, who found that it covered an entire street block (600 sqm) and counted two levels. The rear of the building, the living quarters, is resting on a plateau from where the owner had a panoramic view over the city, and I can see all the way to the seafront. This part had an upper level, probably the sleeping quarters. In front of these quarters below me, there is space for eight shops opening into the street, with, in the back, their own storage rooms. This storage lies next to a large patio and a complete bathing complex, including a Caldarium, Tepidarium, and Frigidarium, probably for the master of the house and his family. A separate staircase leads from the house directly to the patio below.

The re-erected columns are not well restored, with big blobs of cement in between, but they give an excellent idea of the past glory. The leaves at the bottom of the columns are quite exceptional, a subtle hint to Egypt – hence the name oecus aegyptius used to name this room. It takes some imagination to crown these columns with the capitals (now at the local museum) of the Corinthian order, with the heads of Jupiter and Mars staring down from between the acanthus leaves.

Behind this room and in the center of this complex lies the Atrium, including the earthen pipes that led the water to the bubbling fountain in the center of the pool. The Atrium was surrounded by a covered gallery resting on Ionic columns and paved with black and white mosaics, now carefully covered with plastic and soil. However, the edges are still exposed here and there. Central in this Atrium is the summer dining room that offers a view over the inside garden, and the water basin, once paved with magnificent mosaics. More protected from the elements lies, on the right-hand side, the winter dining room adjacent to the so-called Medusa room, after the mosaic found here, which has also been moved to the museum.


I am quite impressed by this Palazzo delle Colonne, not only because of its location, which is striking by itself, but also by the entire combination of these unique columns with their decoration and paintings, the many mosaic floors in color as well as black and white, and the many statues that enhanced these rooms because the Venus and Bacchus from the museum certainly were not the only ones found here. This Villa, in my opinion, goes beyond what has been found in Pompeii or Herculaneum, although they have other characteristics.

The next house block is entirely occupied by the Forum, paved with small slabs of marble and surrounded by columns, a few of which have (not too well) been restored. Under this Forum from the second century AD (in Greek times, this was a Gymnasium), the true treasure of Ptolemais lies buried: its water cisterns. Eight such huge galleries run north-south over a total length of 50 meters, and nine run east-west over 20 meters. I have seen such cisterns in cities like Termessos and Sillyum in Turkey, but not of this size. The oldest cisterns are from Hellenistic times, and when I climb down the stairs in the center of the Forum, I can clearly see the marks where supporting beams held the flat wooden roof of that period. The Romans later covered the entire system with vaulted ceilings and, in the process, more than doubled the storage capacity to reach as much as six million liters! It is a unique experience to walk through these vaulted galleries!

Right behind the Forum lies the Odeon – a somewhat controversial building. Originally built as a Bouleuterion, this Odeon dates from the 4th-5th century AD but might as well be a small theatre since the half-circular orchestra could be filled with water. However, the water supply is too far away from the theatre to be used as such, and even if this space could be filled with water, to what purpose was it used? Some archaeologists opt for miniature sea battles, while others think the water would be used to improve the acoustics. For the time being, this remains a mystery.

At the far end to the left, on the west side, one can discern the contours of the Teucheira city gate from the 5th century AD, but the entire extent in between seems still in dire need of excavation. Ptolemais definitely was an important city.

On my way back, walking over the westerly Cardo to the exit, I stopped at the Roman Villa where the mosaic of the Four Seasons was found (now at the local museum). Not much to see except that this building deserves to be called a villa. Noteworthy is that the colonnade around the Atrium ends in a horseshoe shape – an exception to the standard square pattern. Simple, smooth columns surround the central area, neatly restored without the blobs of cement the Italians used elsewhere.

The local museum is nothing more than a large storage room, but it is nice to have it so close to the excavation site (Now, a few years after the fall of Gaddafi, I wonder what has become of this place). I marvel at the fine mosaics apparently imported from Alexandria, framed with rougher mosaics laid by local craftsmen. The Medusa-mosaic from the Palazzo delle Colonne steals the show, next to two fragments with hens and fishes, and another large mosaic carpet showing the Four Seasons with two panthers underneath. True gems!

Next to a beheaded Bacchus and an elegant Venus with the head of Demeter (a strange combination), both from the 2nd century AD and found at the above-mentioned Villa, there are several painted and artistically carved Corinthian capitals revealing the heads of Jupiter and Mars. Interesting also are the aerial views of the villas I just visited. In a corner, I find the remains of a sarcophagus with an image of Achilles and, standing behind him, his mother, Thetis. An intriguing discovery, although I need help understanding what they are doing here.

One of the masterpieces is the slightly damaged panel from the Via Porticata, which shows several goods and their respective prices according to the Edict of Diocletian from 301 AD. That such legislation existed at all is quite impressive! Next to it stands a particularly graceful relief with six dancing Maenads found on the same avenue. The Maenads were a favorite subject in antiquity, and this relief has enhanced the base supporting a statue of the dramatist Euripides. The original statue was sculpted in Athens in 405 BC, but this is the best (Roman) copy. The ecstatic Maenads, followers of Dionysus, are particularly elegant in their floating robes, waving the thyrsus staff and shaking their tambourines. Such a pity that in later years, the piece was used around a well, for otherwise, it is relatively well-preserved.

Once more, this is a city that owes its glory to Alexander and his successors, as it lived on for another 700 years. Ptolemais definitely deserves to be added to the list of Alexander’s achievements.

If we pay more attention than usual, we find much more than the sites and buildings we are pointed towards. It happened to me while driving out of Ptolemais, as I noticed the remains of a Hellenistic tomb, clearly inspired by the Mausoleum of Halicarnassus. It is no more than a lonely square in the middle of an abandoned field used as a garbage dump, although fenced off with barbed wire, planks, and corrugated roofing. The original tomb must have been much higher than the remaining 11 meters, but the floor plan of 12 x 12 meters is still intact. This tomb belongs to the 2nd century BC, Ptolemaic times, and still carries the alternating motives of triglyphs and metopes along the top edge, although the friezes have long since disappeared, just like the steps at the base. As elsewhere, it was common practice to dismantle old buildings to reuse the recuperated stone blocks in new constructions (spolia).

Saturday, March 14, 2015

Apollonia in Cyrenaica (eastern Libya) after Alexander

In 322 BC, the year after Alexander’s death, Ptolemy I, who had established himself as ruler of Egypt, conquered five Libyan cities. They are collectively known as the Pentapolis and include, besides Cyrene, the cities of Apollonia, Ptolemais or Barca, Arsinoe or Taucheira (modern Tocra), and Euesperides or Berenice (near modern Benghazi). In those days, Cyrenaica was part of greater Egypt and often simply assimilated into Egypt itself. The region was very fertile and produced wheat and barley, as well as olive oil and wine; the orchards in turn were filled with fig and apple-trees; sheep and cattle roamed widely; and above all, this was the only place in the world where silphium grew, a natural medicine, a contraceptive and aphrodisiac.

In an earlier post, I already wrote about Cyrene (see: Cyrene, founded by the Greeks), so this time I’ll concentrate on Apollonia, now renamed Susa in today’s eastern Libya, the most obvious choice since it was the harbor for majestic Cyrene, only some twenty kilometers further inland.

Apollonia was founded by Greek colonists as early as the 7th century BC, and during the fourth century BC, the harbor facilities were widely improved, sheltering the berths against the strong northern winds. On the west side, a new inland port was constructed, protected by two towers, while on the most eastern island, a lighthouse was installed. It was only in the first century BC that Apollonia became a city in its own right. Not for long, however, since upon Ptolemy III’s death in 96 BC the entire Pentapolis, including Cyrene and Apollonia, was bequeathed to the Romans, who just moved a step closer to Egypt itself …

Today’s visitor to Apollonia will only find half of the antique city as the other half lies underwater. Northern Africa has suffered badly from a devastating earthquake that occurred in 365 AD, causing the entire coastline to drop by four meters. The phenomenon is clearly visible here in Apollonia, where the old harbor is entirely drowned, and the three offshore islands are all that remains of the northern pier. This explains why the city doesn’t have the appeal of a harbor, and certainly not one to serve a city as important as Cyrene. Apparently, shipwrecks from the fourth century BC have been located in the antique harbor where French archaeologists were diving during my visit in 2010. I hate to think about what has happened since.

Anyway, Apollonia’s remains are mainly Byzantine, with three Basilicas: the western Basilica with three naves; the central Basilica with five naves; and to the far end, the eastern Basilica, the largest, from the 6th century, with an exceptional Baptistery because it has six steps instead of the normal three. My local guide tells me that in the Byzantine era, the purpose of this Baptistery was not to baptize people in order to convert them but to receive forgiveness for their sins. One submersion would cleanse the believer from small sins, but for more serious offenses, five or six submersions would be required. I never heard of this theory, but it may be a logical explanation for the great number of baptisteries in these churches.

Next to the central Basilica are the remains of a Roman Bath, whose layout, except for the entrance gate, is rather confusing. That is no surprise when you think of how the Byzantines liked to remodel Roman buildings or re-use their stones elsewhere.

Alongside the Byzantine city wall and approximately across from the Roman Baths, lies the Palace of the Dux, the Byzantine governor Hekobolius from the 6th century, i.e., the time when Apollonia was the capital of the Pentapolis. The palace itself does not offer much, but the story that goes with it is rather interesting. For nearly six years, this Hekobolius kept an extremely good-looking mistress called Theodora. One day, she happened to be dancing in Constantinople for Emperor Justinian, who fell in love head over heels and married her soon after. This is how Empress Theodora arrived at the imperial court, where she lived happily ever after … Well, this marriage lasted about twenty years, and Theodora died before Justinian, on 28 June 548.

More remains of Apollonia have not yet been excavated, including the Acropolis at the far end of the site. Outside the city wall lies the inevitable Roman theater (although built on an earlier Greek one) that now lies near the shoreline. According to an inscription found near the podium, it was built in 92 AD during the reign of Emperor Domitian. This is the best-preserved theater of the Cyrenaica despite being used as a quarry by the Byzantines.

A last glance over Apollonia makes me realize that the restored columns of the different Basilicas are the most notable features, but that is primarily because of their texture. All these columns are made of cipolin marble, imported from the island of Euboea, off the coast of eastern Greece. Cipolin is the Italian name for onions and is used to describe this kind of marble, which, like onion skins, appears in green-grayish streaks – a very appropriate name, I must say.

Walking back along the coastline, my attention is drawn towards four large round pits carved in the rock. These pits were used to marinate fish in order to make the famous garum or fish paste, a delicacy for the Romans. How interesting!

Sunday, February 2, 2014

Still hope, though scant, for Libya’s cultural heritage

We have nearly forgotten about the war that raged through Libya to free the country of Kaddafi’s iron rule. Eventually, Kaddafi was killed, the regime was overthrown, and what is left today is a relatively lawless country without a central authority. It no longer makes headlines in the news bulletins, and we can only guess about the fate of its unique and rich archaeological patrimony.

Libya has many more historical treasures than we would expect at first sight. UNESCO has listed at least six of them on their World Heritage List: Cyrene, the Sanctuary of Demeter and Persephone at Cyrene, Leptis Magna, Sabratha, Ghadames (an oasis in the Tripolitania on the Algerian border), and Tadrart Acacus in the Acacus Mountains (prehistoric rock art).

During the uprising, the main fear was allegations of pro-Kaddafi troops operating from the ancient cities of Leptis Magna and Sabratha, using the ruins as a shield to hide their explosives. It seems they have not suffered significant damage. Still, on the other hand, since in the aftermath the country has been left more or less lawless, treasure hunters, criminals, and opportunists were able to steal nearly 8,000 artifacts from a Benghazi bank vault, among which a substantial number of ancient gold, silver and bronze coins that were easy to negotiate on the black market. As so often in the Near and Middle East, archiving and cataloging were never carried out, making it difficult to trace and estimate the loss of Libya’s cultural heritage. Damage, however, is considered less significant than the looting and vandalism that occurred in Iraq, for instance, but we have nothing to prove otherwise.

It has to be said that NATO’s airstrikes at the time of the revolt were well-directed and avoided sites like Leptis Magna and Cyrene. Museums are more straightforward to protect from treasure seekers than the open antique sites of SabrathaLeptis Magna, or Cyrene. The biggest problem with cultural sites in Libya is the lack of training and resources for their safe-keepers. They often don’t even have the simplest and basic know-how. Smaller or lesser-known sites are situated in isolated areas that can easily escape control. Those in the Cyrenaica, like Ptolemais, Apollonia, and Qasr Libya, falling more or less under the authority of Benghazi may be worse off than the cities of Tripolitania.


I often wonder what is really happening to those historic places where archaeologists have invested so many loving hours of their life. Each of the sites is absolutely unique and certainly deserves to be opened up to a broader public. Let’s hope for a better future rather sooner than later.