Alexandria's founded by Alexander

Alexandria's founded by Alexander the Great (by year BC): 334 Alexandria in Troia (Turkey) - 333 Alexandria at Issus/Alexandrette (Iskenderun, Turkey) - 332 Alexandria of Caria/by the Latmos (Alinda, Turkey) - 331 Alexandria Mygdoniae - 331 Alexandria (Egypt) - 330 Alexandria Ariana (Herat, Afghanistan) - 330 Alexandria of the Prophthasia/in Dragiana/Phrada (Farah, Afghanistan) - 330 Alexandria in Arachosia (Kandahar, Afghanistan) - 330 Alexandria in the Caucasus (Begram, Afghanistan) - 329 Alexandria of the Paropanisades (Ghazni, Afghanistan) - 329 Alexandria Eschate or Ultima (Khodjend, Tajikistan) - 329 Alexandria on the Oxus (Termez, Afghanistan) - 328 Alexandria in Margiana (Merv, Turkmenistan) - 326 Alexandria Nicaea (on the Hydaspes, India) - 326 Alexandria Bucephala (on the Hydaspes, India) - 325 Alexandria Sogdia - 325 Alexandria Oreitide - 325 Alexandria in Opiene / Alexandria on the Indus (confluence of Indus & Acesines, India) - 325 Alexandria Rambacia (Bela, Pakistan) - 325 Alexandria Xylinepolis (Patala, India) - 325 Alexandria in Carminia (Gulashkird, Iran) - 324 Alexandria-on-the-Tigris/Antiochia-in-Susiana/Charax (Spasinou Charax on the Tigris, Iraq) - ?Alexandria of Carmahle? (Kahnu)
Showing posts with label Eleusis. Show all posts
Showing posts with label Eleusis. Show all posts

Friday, October 25, 2024

About decrees and multilingual inscriptions

In antiquity, news was carried by word of mouth, but legal matters and other important information were cut in stone and placed in a conspicuous spot for everyone to see. 

The majority of inscriptions are Decrees of which I can only mention a selection. 


At the Acropolis Museum, there is a stele with decrees for the construction of the temple and altar of Nike by Kallikrates, for the reorganization of the cult, and for the salary of the priestess of the goddess dated 427-424 BC (side A) and 424-423 BC (side B).


Also a stele with a series of Decrees by which the Athenians bestowed economic, commercial, and military privileges on their ally Methone in Pieria. 

It shows the goddess Athena shaking hands with perhaps Artemis, dated 430-423 BC.


Very broken but still readable is the Athenian Decree honoring Neapolis (modern Kavala) for its support in the war against Thasos and its constant commitment to her. 

In the upper right corner, we recognize the goddess Athena extending her hand towards another figure, probably the goddess Parthenos of Neapolis, dated from 410-409 BC.



A very elegant stele with a horse and an olive wreath carries an inscription in which the Athenians honored King Alcetas of Epirus for his help during their military expedition to Corcyra (modern Corfu) in 373-372 BC.



And finally, still at the Acropolis Museum, there is the long Decree of Chalkis on the island of Euboia in which the islanders were forced to swear loyalty to Athens after failing in their revolt of 446-445 BC. 

The people of Chalkis could punish their own citizens, except in cases that involved death, exile, or the loss of their rights as citizens, where the power of Athens prevailed.

The National Archaeological Museum in Athens has its own rich collection of Decrees. A good example is the honorary inscription from Piraeus dating from 347-346 BC. 

The stele honors the three sons of Leukon (depicted), king of the Cimmerian Bosporus, thanking them for services rendered to the people of Athens and allowing them to import grain free of duty.



A particular stele from 355-354BC was found near the Monument of Lysicrates in Athens. 

It honors Philiskos, son of Lykos of Sestos in the Thracian Hellespont as a public guest and benefactor of Athens. In 356 BC, Philiskos had warned the Athenians of the hostile presence of the fleet of Byzantium that threatened the city’s grain supply.



The Eleusis Museum, in turn, exhibits a decree providing for the construction of a footbridge across Lake Rheitoi on the Sacred Way from Athens to Eleusis, dated 421 BC.


Two fragments from an unidentified monument carry a Royal Decree of Alexander, which defines the limits of ‘land’, meaning the agricultural area that Philippi supervised. 
The (partial) inscription dates from 336-334 BC, just before Alexander started his campaign East. It is kept at the Museum of Philippi.


On a different level, there is a Decree sanctioning the people and city of Iasos for conspiring against King Mausolos of Caria. 

It is kept at the Louvre in Paris and dates to 370-350 BC. 

 


The Foundation Decree of Cyrene in North Africa is a covenant between the citizens of Cyrene in ca. 322 BC and those of their mother-state of Thera. 
The exact purpose is uncertain, but it is thought that the citizens of Thera, including the early settlers of 631 BC, were granted the same rights and freedoms as the Cyreneans, even though Cyrene was wealthier than Thera at the time.


Of another level is, for instance, the trilingual stele from Letoon in the Xanthos Valley found near the Temple of Apollo. It holds a public Decree authorizing the cult of the deities and establishing the provisions for its officers.
The Decree is written in Lycian, Greek, and Aramaic, which are not verbatim translations of each other. Each version contains information that is not translated into the two other tongues. The Aramaic text with 27 lines is the shortest, followed by Greek with 35 lines, and Lycian with 51 lines. Useless to point out that this stele helped to decipher the peculiar Lycian language. This unique document can be seen at the Fethiye Museum.

The story of this stele reminds us of the Rosetta Stone, which helped to decipher the Egyptian hieroglyphs and Demotic script using the Greek version carved on the same stone. The text is a Decree issued by King Ptolemy V of Egypt in 196 BC and was key to deciphering the hitherto unknown hieroglyphic signs. 

Trilingual inscriptions are not isolated cases. In ancient Persia, it was a common practice to leave inscriptions in three languages to make sure everyone in the vast empire would be notified: Elamite, Old Persian, and Babylonian. The best-known lines are carved on the cliff wall of Bisutun, where Darius I celebrates his victory over Gaumata and eight more pretenders to the throne in 518 BC, as represented above.

The trilingual inscriptions on the Palace walls of Pasargadae and Persepolis are mainly continuous reminders of the power of the King of Kings who ruled by the grace of Ahuramazda, repeating their title of Great King. These were defined in full by Cyrus the Great: Great King, King of Persia, King of Anshan, King of Media, King of Babylon, King of Sumer and Akkad, and King of the Four Corners of the World.

Perhaps the most remarkable panels are set in the spectacular landscape close to the fast-running mountain river and lovely waterfalls of Ganj Nameh, some five kilometers southwest of Hamadan. As is customary, each text starts by praising Ahuramazda and continues describing the lineage and deeds of Darius I on the left panel and his son Xerxes on the right. It reads: "The Great God [is] Ahuramazda, greatest of all the gods, who created the earth and the sky and the people; who made Xerxes king, and outstanding king as outstanding ruler among innumerable rulers; I [am] the great king Xerxes, king of kings, king of lands with numerous inhabitants, king of this vast kingdom with far-away territories, son of the Achaemenid monarch Darius." (see: The Bisutun relief of King Darius I).

I’d like to close with the impressive Monument of Opramoas in Rhodiapolis. He was a great benefactor who contributed lavishly to the reconstruction of most Lycian cities after the devastating earthquake of 141 AD. He must have been terribly wealthy, for it seems that every single Lycian city mentioned his name in thanks. The construction blocks of the Monument listing his good deeds were strewn over a wide area until, in 2016, archaeologists managed to sort them out and reconstruct the walls of his Monument (see: The Monument in honor of Opramoas of Rhodiapolis is taking shape).

Its text, the longest ever found in Lycia or perhaps even in all of Anatolia, contains 12 letters Opramoas exchanged with the Roman Emperors and Antoninus Pius in particular, 19 letters to the Roman Procurator, and 33 various documents related to the Lycian League. 

The reasons for leaving an inscription widely vary, and the list is endless. I stopped at a few of the most telling examples that caught my attention.

Monday, December 6, 2021

The Sanctuary of Eleusis

Eleusis has been on my wish list for many years. For some reason or another, my visit was always postponed or canceled. But after much perseverance and determination, the opportunity arose, and I walked through the very entrance to the site. 

It so happens that this was where the Sacred Way ended, the one on which in antiquity the procession had started, leaving the Kerameikos in Athens. All that remains is a large paved area, once framed by two arches. [The picture shows the Sacred Gate at the Kerameikos in Athens]

We owe the earliest version of the Eleusinian Mystery to an unknown poet from the 6th century BC who composed the Homeric Hymn to Demeter. The Hymn describes the abduction of Persephone (or Kore), Demeter’s daughter, by her uncle, Hades, god of the Underworld. Demeter, the goddess of the earth and fertility of the land, set out on a desperate adventure to find her back. On her search, she rested here at Eleusis, where she found hospitality. To thank King Celeos and the people of Eleusis for their kindness, she rewarded them with the knowledge of agriculture and the “Mysteries” – sacred wisdom to be experienced and learned at Eleusis. 

Demeter’s quest continued, however. Overcome by sadness, she searched long and far relentlessly. Immersed in grief and loss, the seasons stopped, and living things ceased to grow and died. Facing the extinction of life on earth, Zeus, the brother to both Hades and Demeter and father to Persephone, intervened, commanding Hermes to bring Persephone back. However, because she had consumed some pomegranate seeds while with Hades, she was obliged to stay with him. As the order given by Zeus could not be ignored, the compromise was that Persephone would spend four months each year with Hades. These are the winter months. With Persephone's return to the surface of the earth comes spring, the planting of the seeds, summer, and the harvest in autumn. 

Over time, the Eleusinian Mysteries were open to everybody, male, female, or even slaves, as long as they followed the prescribed initiation. Eventually, most of Athens’ citizens, among whom we count Pericles and Aristotle, were initiated and joined by prominent Romans like Marcus Aurelius.

We know little about the formalities around the annual Mysteries, but almost nothing about their secret rituals. The celebration, which started in autumn, lasted nine days. This began with preparations, purification rites, and sacrifices in Athens proper. On the fifth day, the procession moved to Eleusis along the 20km Sacred Way. 

Several days of festivities at Eleusis followed, including the initiation proper, lasting an entire night. Otherwise, we have little insight into the rites because the participants were sworn to secrecy, and disclosing the mystery was a capital offense. One thing that transpires is that initiation helps to reduce one’s fear of death. Many writers imply that participating permanently and positively changed their lives. Cicero, for instance, stated that the initiated gained the power not only to live happily but also to die with a better hope. 

The Eleusinian Mysteries remained popular for at least eight centuries. As Eleusis was part of Athens’ territory, the latter gained much prestige and fame. Christianity, here as elsewhere, gradually took over. 

Before entering the Sanctuary through the Greater Propylaea, one cannot miss the Temple of Artemis on the right-hand side. It dates from the 2nd century AD, when much of the Sanctuary was reconstructed and expanded. All that’s left of this temple is the crepidoma and bits of columns, among other pieces of architecture. 

The Greater Propylaea, also from the 2nd century AD, has left more vestiges. This tall entrance gate was a reduced copy of the better-known Propylaea at the Acropolis in Athens, built some 600 years earlier. It was erected by Emperor Hadrian and finished by Marcus Aurelius. 

Slightly behind this majestic gateway is a large cave-like opening in the rock considered an entrance to the Underworld. There was a small temple dedicated to Hades (the Roman Pluto). 

The primary building and heart of the sanctuary was the enormous Telesterion, where the Mysteries were celebrated. It was conceived by Tyrant Peisistratus at the instructions of Athens. Three sides of the inner space were occupied by seven rows of seats, allowing a crowd of participants to observe what happened. Five rows of Ionian columns supported one of the most extensive roofs in the world (50x50m). The entrance on the southeast was protected by a portico supported by twelve columns of white marble, standing in stark contrast with the dark stones of the outer walls. The Telesterion kept the most important element of the megaron, the Adyton, which coincided with the Anaktoron, the sanctum sanctorum. Here, the sacred objects were kept and only shown to those initiates and officials of the Mysteries who were allowed to enter. 

This marvelous construction was destroyed during Xerxes’ expedition, but soon plans arose to rebuild it twice the size of Peisistratus’ concept. Being too ambitious, the Telesterion was reduced to the rectangular shape we recognize today, offering seating for 4,000 people. 

Of course, it takes a lot of imagination to picture this unusual structure since all there is left to see is this wide paved area dotted with a few stubs of columns. The rock-cut tiers of seating are the most remarkable remnant of this striking building. The memory of the place is still there, but only limited evidence of what went on inside.

At the far end of the site is a small museum worth visiting, as always. The most striking relief of Demeter and Persephone has been moved to the National Archaeological Museum in Athens, but a copy is kept within these walls. 

It’s only on the way back that I notice the remains of the Lesser Propylaea, about halfway between the Greater Propylaea and the Telesterion. Noteworthy is the Roman relief on which ears of wheat, Demeter's gift to humankind, are clearly depicted.