Vergina, The Royal Tombs by Manolis Andronicos (ISBN 960-213-128-4) is the ultimate book about the excavations in and
around Vergina and in particular for
the tombs found in the Great Tumulus.
Manolis Andronicos largely dedicated his life to archaeology and after much determination he is the one who has discovered the undisturbed resting place of King Philip II of Macedonia under the Great Tumulus in Vergina. His love for his work and his analytical approach to his excavations transpire all through this marvelous book.
Manolis Andronicos largely dedicated his life to archaeology and after much determination he is the one who has discovered the undisturbed resting place of King Philip II of Macedonia under the Great Tumulus in Vergina. His love for his work and his analytical approach to his excavations transpire all through this marvelous book.
The many large pictures alone make it worth browsing through this book, but Andronicos’ careful explanations, experiences and theories make fascinating reading.
He starts with a short but clear description of the theater of Aegae as Vergina was called in antiquity followed by a detailed walk through the remains of the Palace of Aegae. We will remember that King Philip was murdered at this very theater in 336 BC, and that this is the place where the reign of Alexander the Great commenced.
The major part of the book is obviously concentrating on the excavations of the Great Tumulus from his first attempts to the discovery of the many grave stele, the Tomb of Persephone, “Philip’s Tomb” and finally of the so-called Prince’s Tomb. Photographs taken during the many years of hard and intensive work give an excellent view of the problems, hopes, diagnosis and results of these diggings. Especially for “Philip’s Tomb” he describes the structure and paintings of the tomb, he itemizes and analyses all the grave goods from weapons to vessels, to finally the gold larnax and the royal gold diadem. Then in turn he focuses on the contents of the antechamber where a smaller larnax was located together with a magnificent gorytos, a set of greaves, a pectoral and a charming myrtle wreath.
Finally the ”Prince’s Tomb” is being examined, the outside and inside of the building, and the grave goods among which is the marvelous silver urn that contained the bones of the dead, crowned with a gold wreath.
Andronicos ends this book with a special chapter holding his conclusions
where he explains how and why he made the statements as he did. Instead of a
dry archaeological report, this book is very pleasant to read or just to have at
hand for a relaxed browsing among these unique examples of Greek art at its
best.
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