Alexandria's founded by Alexander

Alexandria's founded by Alexander the Great (by year BC): 334 Alexandria in Troia (Turkey) - 333 Alexandria at Issus/Alexandrette (Iskenderun, Turkey) - 332 Alexandria of Caria/by the Latmos (Alinda, Turkey) - 331 Alexandria Mygdoniae - 331 Alexandria (Egypt) - 330 Alexandria Ariana (Herat, Afghanistan) - 330 Alexandria of the Prophthasia/in Dragiana/Phrada (Farah, Afghanistan) - 330 Alexandria in Arachosia (Kandahar, Afghanistan) - 330 Alexandria in the Caucasus (Begram, Afghanistan) - 329 Alexandria of the Paropanisades (Ghazni, Afghanistan) - 329 Alexandria Eschate or Ultima (Khodjend, Tajikistan) - 329 Alexandria on the Oxus (Termez, Afghanistan) - 328 Alexandria in Margiana (Merv, Turkmenistan) - 326 Alexandria Nicaea (on the Hydaspes, India) - 326 Alexandria Bucephala (on the Hydaspes, India) - 325 Alexandria Sogdia - 325 Alexandria Oreitide - 325 Alexandria in Opiene / Alexandria on the Indus (confluence of Indus & Acesines, India) - 325 Alexandria Rambacia (Bela, Pakistan) - 325 Alexandria Xylinepolis (Patala, India) - 325 Alexandria in Carminia (Gulashkird, Iran) - 324 Alexandria-on-the-Tigris/Antiochia-in-Susiana/Charax (Spasinou Charax on the Tigris, Iraq) - ?Alexandria of Carmahle? (Kahnu)

Wednesday, August 30, 2023

The Tabula Chigi quoting Alexander

“Kings have knelt before my spear, and their peoples too,
how many are the embraces of the Ocean around the earth.
I am the son of Philip, by Heracles a descendant of Zeus,
and of my mother Olympias, of the race of the Aeacids.”

This inscription is in Greek as it appears on the Tabula Chigi, in which Alexander speaks in the first person. 

This Tabula Chigi is a tablet made of antique yellow marble, 15.5 x 9 cm and 1.5 cm thick, from between the 1st century BC and the 1st century AD. It belongs to a series of “tabula iliaca” named after the Iliad because most of the scenes tell episodes from Homer’s book. 

[Picture from Rai Cultura, Arte]

We don’t know for whom or why these panels were created. They may have served to decorate some libraries or to disseminate a story, or they simply had a votive function. The latest opinion is that they were a kind of conversation piece for the ‘nouveaux riches’ who had no access or the skills to read literary texts. 

Another study has suggested that the Chigi iliaca were meant to be read and understood by a selected group of connoisseurs of Greek calligrams (sets of words arranged in such a way that they form a thematically related image). So far, we know twenty-two tabulae iliacae existed. Italy has the largest collection with seven tablets spread among the Capitoline Museums, the Villa Albani, the Vatican Museums in Rome, and the National Archaeological Museum of Naples. 

The Tabula Chigi was discovered in 1777 in a quarry belonging to the Chigi family. Over the years, the tablet disappeared and was known only from 19th-century illustrations. In 1928, the last member of this powerful family gave the tablet to his American wife. It was officially called lost in 2012. However, it resurfaced recently in New York and was handed over to the Italian State in the name of the last daughter of the Chigi family. It ended up in the National Roman Museum,Palazzo Massimo, in Rome.   

The tablet shows two female figures facing each other, Europa and Asia as mentioned in the inscriptions. Between them stands an altar with a relief of a cithara player, probably Apollo, flanked by two dancers, Muses or Graces. With one hand, they hold up a tondo (round relief) with various figures; and with the other hand, they hold a dish for libations and offerings. A Greek inscription fills the space between the roundel and the altar, Europa and Asia, and this is the text mentioned above. The Tabula Chigi has survived in excellent condition. 

This unique tablet has been on display during the exhibition “The instant and eternity. Between us and the ancients” together with 300 exceptional artifacts from Greek, Roman, Etruscan, Italic, medieval, modern, and contemporary civilizations. For the occasion, a section of the Baths of Diocletian, part of the National Roman Museum in Rome reopened after decades of closure. 

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