The Achaemenid rock-tombs and the rock-reliefs
of the Sassanid kings are known to most travelers in Iran , but Seleucid or Parthian
reliefs and inscriptions are pretty rare.
It is always interesting to see how one civilization
copies from a previous one or is inspired by its contemporaries. What I find
here at Bisutun, for instance, is quite surprising to say the least.
For some reason (our western look towards history?) I expected Hellenism to
transpire through art in the days following Alexander’s
conquests. It has happened in Sogdiana/Bactria and in India , but not here in Persia . Seleucos and his successors seem to have
made greater efforts to integrate Persian customs than we might suspect at
first sight.
The idea occurred to me when I was staring at
this relief of a fatso bearded Heracles at Bisutun. He poses as a naked athlete
holding a bowl, seated on a lion pelt underneath an olive tree; his heavy club
rests at his feet and his bow and quiver with arrows hang from a nearby olive
tree. The composition has all the Greek ingredients but this scene was
definitely not created by a Greek artist, nor was it inspired by Hellenistic heritage.
Next to Heracles’ head there is a temple-like
facade carrying an inscription in Greek telling us that this picture was
created by Hyacinthos, son of Pantauchos, and carved in honor of Kleomenis, the local Seleucid governor
in 148 BC. It is important to remember that Heracles was considered as the
ancestor the Seleucid dynasty.
Not far from this Heracles is another more
elaborate rock-relief in honor of the most powerful of all Parthian kings, Mithridates II. This was made after the
collapse of the Seleucid Empire and when this part of the country was taken
over by the Parthians, who ruled for almost four centuries.
The entire panel is more than 12 meters long. The key
position is now occupied by a framed Persian inscription added in 1684,
obliterating a considerable chunk of the Parthian relief. The original relief was
made for King Mithridates II, who
ruled over Persia
from 123 till 88/87 BC. On the left-hand side we discern two figures in
profile; above them there is a Greek inscription and a Nike in Greek style.
Thanks to a drawing reconstruction, we know there were four dignitaries approaching
their king. The central person caries the Nike and another one seems to raise a
cup. To the right of the 17th century’s niche we see two men on
horseback fighting each other. This relief represents the Parthian King Gotarzes (38-51 AD) subduing his
enemy Meherdates. Above them hovers
another Nike holding a diadem.
Well, both panels have suffered serious damages
from the weather elements and the later Safavid inscription, but they are proof
that the Parthians tried to integrate the Persian culture at least as much as the
Seleucids before them.
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