The rock on
which the Athenian Acropolis has been built holds several caves that were used in
antiquity as sanctuaries. Early settlers were attracted by the clean water from
its hidden natural sources. Some of these caves led very far inside but most
were rather small. Over time, some of these spaces were turned into
sanctuaries.
The most
striking example is the Thrasyllos Monument, a temple inside a large
cave on the south slope of the Acropolis. It was created around 320 BC by Thrasyllos,
a judge in the Great Dionysia Festival. His son, Thrasykles, modified the
monument in 270 BC.
Few people know that its façade was an almost exact
copy of the west façade of the south wing of the Propylaea on the Acropolis
above. It has two door openings with pilasters and a central pillar, crowned
with a Doric architrave displaying a continuous row of guttae, a frieze,
and a cornice. The frieze depicts five olive wreaths on either side of the
central ivy wreath. The three columns above the cornice supported the bronze
choragic tripods. Pausanias
tells us that the cave held a representation of Apollo and Artemis killing the children of Niobe.
Paintings inside the cave referred to a marble statue
of Dionysus probably added to the top of the monument in the 4th century
AD. It was removed in 1802 by Lord Elgin, who took it to the British Museum
in London.
Under Ottoman rule, a small chapel was built inside
the cave known as the Virgin Mary of the Cave. It was used by the Athenians who
came to pray for the health of their sick children. The chapel was decorated
with Biblical frescos, and a marble icon of the Assumption of the Virgin Mary,
recently restored.
Most of the marble entrance collapsed in 1827 during
the Ottoman siege and bombardment of the Acropolis. As so often, the stone
material was reused elsewhere in the city and, in particular, for the
restoration of the Byzantine Church of Panaghia Sotiras tou Nikodimou.
The restoration of the Thrasyllos
Monument started in 2011 assisted
by archaeologists of the National Archaeological Museum in Athens. We have to
thank the English architects James Stuart and Nicholas Revett for having left
us so many drawings of what they witnessed in 18th-century Athens. Their work was of great help
to reconstruct the Thrasyllos
Monument and provided
a clear copy of the original Greek inscriptions.
This impressive Choragic
Monument was meant to be seen by
all of ancient Athens.
Today, it is an eye-catcher overlooking the Theater of Dionysus. The Monument
is clearly visible from the terrace of the New Acropolis
Museum as seen in my
picture from 2015.
For safety reasons, the interior of the Thrasyllos Monument is not open to the public yet.
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