The origin of Ptolemais (or Barca) of the Libyan Pentapolis (see: Apollonia in Cyrenaica (eastern Libya) after Alexander) goes back to the middle
of the 6th century BC. Still, the name Ptolemais was probably given by Ptolemy III Euergetes, the grandson of Ptolemy I, who, in 322 BC, added the city
to his realm after becoming the ruler of Egypt as successor to Alexander the Great. When the Romans annexed
Egypt
in the first century BC, they granted Ptolemais the status of a separate
province. Since the city had no local water supply, the Roman architects managed to bring in water from the surrounding hills and store
it in seventeen huge cisterns under the Forum. It was a flourishing city until
it was hit by the destructive earthquake of 365 AD that caused the entire North
African coast to drop about four meters. The invasion of the Vandals in 428
probably gave the final blow. The Byzantines moved their military governor to Apollonia,
and the Arabs ensured the city was abandoned.
It still looks abandoned today, a mere flat
site thrown with stones and rocks with a sporadic tree to bring in some color.
The access road to ancient Ptolemais is not inviting
either, as it runs through a solid row of abandoned houses that the Italians
built last century – a proper ghost town known as Tolmeitha. It is an eerie feeling to progress over this straight
road flanked by colorful facades with cast iron decorations, which for some
reason, made me think of the Via Appia
in Rome, where
the tombs are replaced by empty houses.
The city of Ptolemais
is no more than a field on a gentle slope from the Mediterranean
up to the mountains, where even the Hippodamian plan is hard to figure out. I
am happy to be pointed to the familiar Decumanus and Cardo once I’ve reached
the crossroad where a piece of wall and a lonely column are all that remains of
the Arch of Constantine from 312 AD.
The Decumanus has been promoted to Monument
Street or Via
Porticata, with on one side the Roman Baths and on the other the remains of
a private house. It was on this road that the Edict of Diocletian from 301 was found setting the prices for the trade
goods now in the local museum.
At the next crossroad, marked with Four Columns,
I turn right to visit the imposing remains of the so-called Palazzo delle Colonne, meaning the “Villa
with the Columns.” Since this is about the only reconstructed building, it can
hardly be missed. The Villa lies here in all its splendor, and it is generally
accepted that it was built according to the then-prevailing fashion in Alexandria (Egypt). This theory is hard to verify
since old Alexandria
is still buried deep under the modern city, and an excellent example of such a villa
has never been found, but I like the idea. In any case, the owner was not a
poor man.
We owe the qualification of Palazzo to the Italian archaeologists of
last century who found that it covered an entire street block (600m2) and counted
two levels. The rear of the building, in fact, the living quarters, is resting
on a plateau from where the owner had a panoramic view over the city, and I can see
all the way to the seafront. This part had an upper level, probably the
sleeping quarters. In front of these quarters below me, there is space for eight
shops opening into the street with, in the back, their own storage rooms. This
storage lies next to a large patio and a complete bathing complex, including a
Caldarium, Tepidarium, and Frigidarium, probably for the master of the house and
his family. A separate staircase leads from the house directly to the patio
below.
The re-erected columns are not well
restored, with big blobs of cement in between, but they give an excellent idea
of the past glory. The leaves at the bottom of the
columns are quite exceptional, a subtle hint to Egypt
– hence the name oecus aegyptius used
to name this room. It takes some imagination to crown these columns with the
capitals (now at the local museum) of the Corinthian order, with Jupiter and Mars' heads staring down from between the acanthus leaves.
Behind this room and in the center of this
complex lies the Atrium, including the earthen pipes that led the water to the bubbling fountain in
the center of the pool. The Atrium was surrounded by a covered gallery
resting on Ionic columns and paved with black and white mosaics, now carefully
covered with plastic and soil. However, the edges are still exposed here and
there. Central in this Atrium is the summer dining room that offers a view
over the inside garden, and the water basin once paved with magnificent
mosaics. More protected from the
elements lies, on the right-hand side, the winter dining room adjacent to the
so-called Medusa room after the mosaic found here, which has also
been moved to the museum.
I am quite impressed by this Palazzo delle Colonne, not only because
of its location, which is striking by itself, but also by the entire
combination of these unique columns with their decoration and paintings, the
many mosaic floors in color as well as black and white, and the many statues that
enhanced these rooms because the Venus and Bacchus from the museum certainly were
not the only ones found here. This Villa, in my opinion, goes beyond what has been found
in Pompeii or Herculaneum,
although they have other characteristics.
The next house block is entirely occupied by
the Forum, paved with small slabs of marble and surrounded by columns, a few of
which have (not too well) been restored. Under this Forum from the second
century AD (in Greek times, this was a Gymnasium), the true treasure of Ptolemais
lies buried: its water cisterns. Eight such huge galleries run north-south over a total length of 50 meters, and nine
run east-west over 20 meters.
I have seen such cisterns in cities like Termessos and Sillyum in Turkey, but not
of this size. The oldest cisterns are from Hellenistic times, and when I climb
down the stairs in the center of the Forum, I can clearly see the marks where
supporting beams held the flat wooden roof of that period. The Romans later
covered the entire system with vaulted ceilings and, in the process, more than
doubled the storage capacity to reach as much as six million liters! It is a unique experience to walk through these vaulted galleries!
Right behind the Forum lies the Odeon – a
somewhat controversial building. Originally built as a Bouleuterion,
this Odeon dates from the 4th-5th century but might as well be a small theatre
since the half-circular orchestra could be filled with water. However, the
water supply is too far away from the theatre to be used as such, and even if
this space could be filled with water, to what purpose was it used? Some
archaeologists opt for miniature sea battles, while others think the water would be used to improve the acoustics. For the time being, this remains
a mystery.
At the far end to the left, on the west
side, one can discern the contours of the Teucheira city gate from the 5th
century AD, but the entire extent in between seems still in dire need of
excavations. Ptolemais definitely was an important city.
On my way back, walking over the westerly Cardo
to the exit, I stopped at the Roman Villa where the mosaic of the Four Seasons was
found (now at the local museum). Not much to see except that this building deserves to be called a
villa. Noteworthy is that the colonnade around the Atrium ends in a horseshoed shape
– an exception to the standard square pattern. Simple smooth columns surround
the central area, neatly restored without the blobs of cement the Italians used
elsewhere.
The local museum is nothing more than a large
storage room, but it is nice to have it so close to the place of excavation
(Now, a few years after the fall of Kaddafi, I wonder what has become of this
place). I marvel at the fine mosaics apparently imported from Alexandria framed by rougher
mosaics laid by local craftsmen. The Medusa-mosaic from the Palazzo delle Colonne steals the show,
next to two fragments with hens and fishes and another large mosaic carpet
showing the Four Seasons with two panthers underneath. True jewels!
Next to a beheaded Bacchus and an elegant Venus
with the head of Demeter (a strange combination), both from the second century
AD and found at the abovementioned Villa, there are several painted and
artistically carved Corinthian capitals revealing the heads of Jupiter and
Mars. Interesting also are the aerial views of the villas I just visited. In a
corner, I find the remains of a sarcophagus with an image of Achilles and, standing behind him, his
mother, Thetis. An intriguing
discovery, although I need help understanding what they are doing here.
One of the masterpieces is the
slightly damaged panel from the Via
Porticata, which shows several goods and their respective prices
according to the Edict of Diocletian
from 301 AD. That such legislation existed at all is quite impressive! Next to it stands a particularly graceful relief with six dancing Maenads found on
the same avenue. The Maenads were a favorite subject in antiquity, and this
relief has enhanced the base supporting a statue of the dramatist Euripides. The original statue was
sculpted in Athens
in 405 BC, but this is the best (Roman) copy. The ecstatic Maenads, followers
of Dionysus, are particularly elegant in their floating robes, waving the thyrsus
staff and shaking their tambourines. Such a pity that in later years, the piece
was used around a well, for otherwise, it is relatively well-preserved.
Once more, this is a city that owes its glory
to Alexander the Great and his
successors as it lived on for another 700 years. Ptolemais definitely
deserves to be added to the list of Alexander’s
achievements.
If we pay more attention than usual,
we find much more than the sites and buildings we are pointed towards. It
happened to me when we drove out of Ptolemais, and I noticed the remains
of a Hellenistic tomb, clearly inspired by the Mausoleum of Halicarnassus. It is no more than a lonely square in
the middle of an abandoned field used as a garbage depot, although fenced off with
barbed wire, planks, and corrugated roofing. The original tomb must have been
much higher than the remaining 11 meters, but the floor plan of 12x12 meters is
still intact. This tomb belongs to the second century BC, Ptolemaic times,
and still carries the alternating motives of triglyphs and metopes along the
top edge, although the friezes have since long disappeared just like the steps
at the base. As elsewhere, it was common practice to dismantle old
buildings to reuse the recuperated stone blocks in new constructions (spolia).