Another Macedonian tomb

The large number of tombs that dot ancient Macedonia never ceases to amaze me. They do not immediately stand out, but driving around on local roads in the wider area of Pella and Vergina (ancient Aegae), they appear as solitary structures or ruins. Occasionally, their names are announced on promising road signs pointing you to mysterious sites. 

Most visitors flock to the Great Tumulus housing the Tomb of Philip II in Vergina, along with the Tomb of Persephone (based on her frescoed depiction on the wall), and the Tomb of the Prince, attributed to Alexander IV. 

[Picture of the Abduction of Persephone from The Maritime Explorer]

The large necropolis to the east of the city and the many tombs outside the ancient city walls are generally ignored. In this area, it is nearly impossible to miss other beautiful examples like the Rhomaios Tomb, the Tomb of Eurydice (Alexander’s grandmother), the Macedonian Tomb on the Bloukas Farm, or a series of tombs on the Bella Farm (see: There is more to Aegae than the Royal Palace and the Great Tumulus). These tombs are rarely open to the public.  

Excavations are still ongoing, and more than one thousand tombs have been uncovered at Pella alone since 2000. They often carry the names of Macedonian families, and many monuments still display their vivid original colors. 

Closer to Náousa  (some 50 kilometers east of Pella), the Tomb of the Judgment, the Tomb of the Palmettos, the Tomb of Lyson and Kallikles, and the neglected Tomb of Kinch are worth visiting if the opportunity arises (see: Alexander's schooling at Mieza. Visit of the surrounding area). These tombs are not always open to the public.

Earlier this year (2025), the Tomb of the Philosophers, situated in the eastern necropolis of Pella, made headlines. The burial chamber measures 4.40x1.95 meters and is three meters high. It dates from around 300 BC and shows frescoes of six unnamed philosophers that document the richness of Pella’s intellectual development and cultural life at the time, when philosophy and sciences were a common good. 

The frescoed figures, who gave their name to the burial site, call for our attention. The most intriguing picture is that of a man wearing a red himation (kind of mantle), holding a wooden rod, pointing at a celestial globe, indicating that he might be a philosopher interested in astronomy. The theme is likely influenced by Aristotle’s teachings and other works written by philosophers and poets living at the Macedonian Court of Antigonus II Gonatas in the 3rd century BC. 

On the wall to his right, a bearded man is studying a papyrus scroll. The left wall depicts another wreathed, bearded ‘philosopher’. Above them are scenes of horsemen and grave steles inspired by Homeric funeral games. 

Excavations have revealed that the grave was probably built for a family. It contained the remains of three individuals: a man in his forties, a woman in her thirties, and an infant. The presence of this elaborate decoration with symbolic elements indicates that the family belonged to the higher social elite of Pella. The man could well have been a scholar or an astronomer who cared for his family after their death. 

The tomb’s frescoes are of high quality, giving a telling insight into the personal identity and the cultural values of the deceased. What’s more, the elements testify to the vibrant intellectual and artistic level that was reached in Pella some one hundred years after the death of Alexander. 

[Pictures of the Philosopher's Tomb from the Teacher Curator]