We are all
familiar with the EgyptianMuseum in Cairo which
holds the many treasures from the Egyptian dynasties including the
world-famous gold mask of Tutankhamun.
However, few
people are aware of the
Graeco-Roman Museum with its 40,000 artifacts from the Greek and Roman eras.
It has been closed since 2005 for renovation and finally reopens. It covers
artwork from before the foundation of Alexandria by Alexander in 331 BC, the ensuing
Ptolemaic Dynasty that ended with Cleopatra in 30 BC, and the Roman occupation up to the Muslim conquest of 641 AD.
The newly
arranged collection is presented in an up-to-date manner as shown in this short
video.
The most recent statues and artifacts to enter this museum are those
recovered by Franck
Goddio and his team during underwater excavations in the broad Nile estuary particularly from Thonis-Heracleion.
Noteworthy is, for instance, the stele discovered at Thonis-Heracleion
in 2000, displayed next to its twin uncovered in Naucratisin 1899. It is quite unique to find two
identical inscriptions holding a decree of Nectanebo
I. They state that the pharaoh raised subsidies for the temple using the
taxes levied from Greek trade and manufacturing in Thonis
and Naucratis.
The steles also confirm that Thonis
and Heracleion were respectively the Egyptian and the
Greek name for the same town “at the entrance of the sea of the Greeks”.
Another striking
addition from Thonis-Heracleionis the statue of a Ptolemaic queen, 2.20 meters high made
of black granodiorite and dated to the 2nd century BC. It is attributed to either Cleopatra Selene II(185-180) or Cleopatra
III (116-115 BC) andis
executed in a mix of Greek and Egyptian styles. Alternatively, it could
represent Cleopatra Thea, the queen
consort of three Syrian kings of the Seleucid Empire between 150 to 125 BC.
A new
acquisition of the
Graeco-Roman Museum is the so-called Neilos-bust, an astonishingly
well-preserved rendition of the god of the Nile
in greywacke (a variety of hard sandstone). It was found in the temple area of
the Nile’s Canopusmouth.
In-depth
research byFranck
Goddio revealed that Graeco-Egyptian statues in this dark Egyptian stone were probably made in specialist workshops in Alexandria. The Nile
bust is of particular high-quality greywacke.
Of an entirely
different order is the Naos of the Decades, a small chapel-like shrine for
statues of the divinities at the most sacred place of the temple. During Franck
Goddio’s underwater exploration of the Bay ofAbukir,
he discovered walls of this exceptional naos, parts of which were already at the
Graeco-Roman Museum in Alexandria and
the Louvre in Paris.
The Naos of the
Decades was a shrine to Shu, the god of air, which predated the Ptolemaic era
by more than fifty years. The most remarkable feature may well be the calendar
engraved on the outside surfaces of its walls. The Egyptians divided the year
into sections of ten days or decades, 36 in all - represented here by 36 squares -
making a total of 360 days. A 37th square was added for the five
days to complete the year. Each square showed a text of an astrological nature
about the influence of the stars and Shu on daily life during the specific
period of ten days. One such text tells how Shu created the sky and the stars
and placed himself between the sky and the earth to separate them.
The Greek sphere
of influence did not die with Alexander.
In the first stage, it lived on as Hellenism from the Mediterranean to India after
which Greek art and customs gradually fused and mixed with those of the newly formed kingdoms and civilizations. In Egypt,
Hellenism officially ended with the death of Cleopatra when many concepts and ideas were continued by the
Romans. The Parthian and Bactrian Kings did the
same in the East. Greek remained the lingua franca
in antiquity and helped to spread Christianity until the Islamic conquest in
the 7th century AD took over.
Historical
events are gladly twisted and turned to make an interesting or commercially
profitable story. Some or even many of these tales can stay alive for years,
even centuries.
The most absurd theory is about Alexander being buried in Macedonia and not in Egypt. The other recurring discussion is about the Tomb in Verginathat has been attributed to Philip II, Alexander’s father, by Manolis Andronicos in 1977 (see: Vergina, The Royal Tombs by Manolis Andronicos).
Only recently a
sacred purple-dyed cotton chiton of Alexander has been discovered in the
golden larnax of Tomb II, thought to
be Philip’s.
This garment is
most remarkable because cotton was first introduced to the Macedonians when
they reached India
in 327 BC. According to Antonis
Bartsiokas, the tunic matches the description of a ceremonial outfit, a sarapis, as worn by King Darius and later adopted by Alexander. A closer analysis revealed the presence of huntite, a
bright white mineral uncommon in Greece
but used in ancient Persia,
between the layers of cotton. These white stripes are also seen in Alexander’s outfit as depicted in the
fresco above the entrance door of what is supposedly Philip’s tomb. This, the author says strengthens his theory that
this sarapis is “the same one that Alexander would have worn in official
ceremonies”.
Why this fabric
suddenly appears inside the larnax is puzzling, to say the least since the
cremated bones and a large gold wreath of oak leaves and acorns were removed
years ago.
Why the chiton is linked to the image of a
juvenile Alexander in the fresco of
the tomb is not exactly in line with Alexander
as King of Persia wearing a cotton chiton
with traces of huntite.
And why can we
be sure this sarapis is the one Alexander wore and not Philip III Arrhideus as he too became
King of Kings?
Presently, Antonis
Bartsiokas also states “that many
objects found in Tomb II actually belonged to Alexander the Great”
including a golden diadem, a scepter, and the earlier mentioned oak wreath.
Here, Philip II is not even
mentioned! This would imply that Andronicos had it all wrong. Of course, this
is history in the making, and new discoveries and interpretations surface time
and again.