Many years ago,
I drove around the Peloponnese exploring antique sites other than the well-known
remains of Corinth and Olympia.
One of my roads
led me to the Temple of Bassae, which, according to my travel guide,
was the only temple
of Antiquity to combine
Doric, Ionian, and Corinthian styles. Relying on the signposts I drove up a
narrow winding road the width of my car through a landscape that seemed
untouched by time. It was a most beautiful scenery dotted with circular
threshing floors used to separate the grain from the straw and husks by beating
it manually. These ‘floors’ also served as dancing on festive occasions. Time
had clearly come to a standstill.
As in the middle
of nowhere, the grey columns of a temple appeared with behind it a normal
asphalt road… I had found Bassae the hard way but certainly
the most beautiful one.
Just the other
day, I came across the picture of an odd-looking temple in Figaleia dressed in ghostly white hailed as the “second Parthenon”. Where? What? It turned
out to be the Temple
of Apollo Epicurius in Bassae,
now heavily studded. It brought me right back to that exciting drive so long
ago. What happened here?
Well, I praise
myself lucky to have been there before the series of drastic restorations
started. The first works were carried out between 1902 and 1908 but did not
affect the appearance of the temple. Later interventions changed the glorious
view I had enjoyed forever. In 1985, an anti-seismic scaffold was installed
followed by a lightning protection. Since 1987 the entire temple has been wrapped in
a tent to protect the monument against extreme weather conditions. This is said
to be a temporary measure but after almost forty years we may wonder if this
cover will ever be removed. There is not much worth seeing right now, is there?
The Temple of Apollo Epicurius (the Helper) of 38 x 14.5 meters was erected between 420-400 BC by
the citizens of Figaleia to thank
the god for delivering them from the plague of 429-427 BC. It was designed by Ictinus, who also was the architect of
the Parthenon in Athens.
The Temple in Bassae
built with local grey limestone is remarkable for several reasons. Unlike the
general east-west orientation of the Greek temple, this one is set north-south because of the terrain or perhaps to comply with some religious
traditions of the people of Figaleia.
Access to the temple would be through a door on the east side, another anomaly.
And, this temple of Apollo is the only known example from antiquity to combine
all three orders of ancient Greece:
Doric for the outside columns, Ionian for the inside, and three Corinthian columns
at the southern end. What struck me also during my visit were the Ionic columns
inside the cella that were attached to the wall. Two Corinthian columns were
attached at a 45-degree angle to the wall and the third one stood between them.
I was deeply impressed by these exceptional architectural details.
The temple was abandoned around the 4th-5th
century AD. As it stood in a relatively remote area outside the city of Figaleia,
it was not plundered. Eventually, the roof collapsed and severely
damaged the interior of the temple. The outer colonnade remained standing and
that is what I witnessed during my visit.
The excavations
were first started in 1811 by a group of European archaeologists led by Charles
Cockerell after receiving permission from the local Pasha. The agreement was
that the booty would be split between the Pasha and the archaeologists. After a
few weeks, 23 metopes were recovered. Twelve of them depicted the Battle between Greeks and Amazons and the remaining eleven
told the mythical Battle
between Lapiths and Centaurs.
When the Pasha
saw the reliefs, he was very disappointed as he had expected gold and other
precious artifacts. For him, the find had no value and he refused to take his
share. After giving him the sum of £400, the archaeologists took the metopes to
be auctioned in Zakynthos. The
highest bidder was the British
Museum, which paid £19,000
for the lot. That is how the entire length of the frieze (31 meters) has been fitted in a room of its own at the
BM.
During a later visit
to the Museum of the Louvre in Paris, I came
across two sitting Maenads from Bassae. They were clearly resting
after their frenzy dances in a state of divine madness and ecstasy which was
illustrated by their sweaty wet chiton clinging to their body! Only a highly
skilled sculptor could render this state of mind in such a palpable way.
There must have
been a statue of Apollo inside since the sanctuary was dedicated to this god,
but I have not heard about its presence.
It sounds
strange to say that I did not miss seeing any metopes or statues in or around
the temple. At the time, this isolated sanctuary impressed me by its location,
as the roughness of its grey limestone blended in so well with the landscape
that the picture seemed complete.
The white tent covering
the temple is said to protect the building against the region's extreme weather conditions.
I do not understand this reasoning for after all Apollo protected the temple
against the elements for the past 2,500 years.
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