A Dedication of Philip III Arrhidaeus and Alexander IV

Strolling through the temporary exhibition about Samothrace at the New Acropolis Museum in Athens, I was surprised to find two odd-looking objects labeled as Dedications of Philip III and Alexander IV.

When Alexander the Great died in 323 BC, there was no heir to the throne of the King of Asia, and his generals had a rough time agreeing on a successor. Alexander’s son with Roxane was not born yet, and his earlier son with Barsine was never recognized by Alexander. After many flaring discussions, it was decided that Alexander’s simple-minded half-brother Arrhidaeus would share the throne with Roxane’s baby boy under the respective names of Philip III Arrhidaeus and Alexander IV. Neither was to rule as king, at least not at this very early stage.

Here at the museum, this is the first time I have seen artifacts tied to both kings, and I wonder whether these are the only ones. The Dedication dates from between 323, when their co-kingship was implemented, and 317 BC, the year in which Philip III Arrhidaeus was brutally murdered by Olympias.

Samothrace is, of course, the place where Philip II and Olympias, Alexander’s parents, met during an initiation ceremony to the sacred rites of the most secret Mysteries, but why is this island so important that even young Alexander IV and his simple-minded uncle honor it with a dedication of their own?

According to Diodorus, initiation at the Sanctuary of the Great Gods promised an opportunity to “become a better and more pious person.” Divine forces of earth, sky, and sea played a fundamental role in the mysteries that shrouded (and are still shrouding) the island. From as early as the 7^th century BC all the way down to the 4^th century AD, the Sanctuary provided insight into spiritual, political, and cultural life. The intense activity is shown through the host of monuments erected here since they are all set in selective locations throughout the landscape to enhance the initiates’ experience.

     

 

The marble Doric building where the Dedication of Philip III Arrhidaeus and Alexander IV was found would have been the first significant construction the visitor saw when entering the Sanctuary. It stood nine meters high and welcomed the pilgrims with the dedicatory inscription reading “King Philip [and] Alexander to the Great Gods,” a proof – if needed – that both kings ruled equally. I did not find the inscription at the museum; only a fragment of a monumental eagle’s head and a wing remains from the two large eagles that once adorned the construction, probably as acroteria. The Dedication monument was the work of local craftsmen who used two different kinds of marble. For the façade, which counted six columns, Pentelic marble from Attica had the preference, while the sides and back marble came from the nearby island of Thasos, as was common elsewhere in Samothrace. The open chamber is said to have preserved its mosaic floor with a central panel unusually made of rhomboid marble tesserae, which I have not seen at the museum but may still be in situ.

The construction of such a significant monument by the two kings or whoever acted on their behalf was meant to reinforce their rightful succession to Alexander the Great. Using Pentelic marble for its façade was an iconic reference to other great monuments in Athens and to Athenian dedications in other locations. To the visitors of those days, this Dedication would also be seen as Macedonia’s claim to power over mainland Greece.

After this exciting discovery, I spend more time investigating the other artifacts to learn more about Samothrace. The most valuable tools are an excellent reconstruction of the site and a clear map of all the pertaining buildings.

I find another intriguing testimony of Alexander’s heritage in one of the showcases: a tiny gold applique of a lion of Achaemenid origin once inlaid with precious stones. It has been dated to the 4^th century BC and may be a trophy one of his soldiers brought back from Persia.

There also is the top part of a stele containing a dedication of King Lysimachus of Thrace from between 288 and 281 BC. Based on the surviving first fifteen lines, Lysimachus is honored for restoring sacred lands on the mainland initially granted to Samothrace by either Philip II and Alexander the Great or Philip Arrhidaeus III and Alexander IV. Boundary stones for said sacred land have been found near Alexandroupolis in Greece. Lysimachus is also honored as a friend and benefactor of Samothrace, hence his title of Lysimachus Euergetes as inscribed on the altar erected in his honor and used during annual festivals.

Just a few years later, between 285 and 281 BC, Ptolemy II built a Propylon, one of the most lavishly decorated entrance buildings from Hellenistic times. This must have been an impressive monument since the metopes were an elegant succession of alternating 100 rosettes and 104 garlanded bucrania or ox skulls. It makes you wonder about the richness of the other details.

To remain with the Ptolemaic dynasty, Arsinoe II built a splendid Rotunda at the Sanctuary. It is not clear, however, whether this Rotunda was made while she was married to Lysimachus of Thrace mentioned above and her first husband (288-281 BC) or after she became the wife of her brother Ptolemy II, her third husband (273-270 BC). The meaning of the Dedication thus varies accordingly. If the Rotunda was built during her marriage with Lysimachus, it might stand for the alliance of Egypt with Thrace and the northern Aegean. If erected when she married her brother, it could be meant to thank Samothrace for sheltering her after fleeing from her second husband, Ptolemy Keraunas. This Rotunda was also decorated with reliefs of alternating rosettes and bucrania, a favorite theme. A lovely rosette and a strange-looking round and flat tile from the roof are exhibited here.

Much more recent is the Dedication to the Great Gods of Samothrace by the Thessalian League from 170-140 BC. It tells us that their embassy was led by Damothoinos, son of Leontomenes and a member of a prominent family from Pherae; he was the leader of the league in 161/160 BC. This Dedication shows the importance of the Thessalian League after being freed from Macedonian rule.

The best-known sculpture from Samothrace is the famous Nike, now at the Louvre and recently restored and cleaned for the pleasure of our eyes! It has been dated to the 2^nd century BC and was a gift from the people of Rhodes to thank the gods who protected seafarers and granted them victory in war, maybe in commemoration of the Battle of Myonnissos or the victory over Antiochus III at Side in 190 BC.

Yet the Athens exhibition shows another Nike statue less flashy than this famous one, which is said to be one of four that stood at each corner of the Hieron built between 325 and 150 BC.

Another piece that caught my attention was this lovely frieze of dancing girls. It was found in an imposing building of 34x23 meters that is neither a temenos nor a propylon and thus has been labeled as the Hall of Choral Dancers after the frieze that was discovered inside. Dating from the middle of the 4^th century BC, this Hall is the first marble structure of the Sanctuary, maybe even the oldest and the largest one. The frieze we see here is only a small section of the continuous row of hundreds of dancing maidens running around the entire building. Besides the dancing figures, female musicians also accompanied the long procession. The wealth exposed in this monument leads experts to believe that it was commissioned by an influential donor and that the name of Philip II, Alexander’s father, has fallen since it was here that he met his Queen Olympias.

Because of Philip’s and Olympia’s early presence and the splendid monumental dedications made during the later Hellenistic period, it is generally believed that Samothrace played a crucial role in Macedonia’s legacy. I would even add a pivotal role to Alexander’s legacy!